Literary Criticism of Alexander PopeUniversity of Nebraska Press, 1965 - 181 sivua |
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Sivu 147
Alexander Pope Bertrand A. Goldgar. Postscript to the Odyssey ( 1726 ) I cannot dismiss this work without a few observations on the true character and style of it . Whoever reads the Odyssey with an eye to the Iliad , expecting to find ...
Alexander Pope Bertrand A. Goldgar. Postscript to the Odyssey ( 1726 ) I cannot dismiss this work without a few observations on the true character and style of it . Whoever reads the Odyssey with an eye to the Iliad , expecting to find ...
Sivu 148
... Odyssey after the Iliad many proofs may be given , etc. From hence in my judgment it proceeds that as the Iliad was written while his spirit was in its greatest vigor , the whole structure of that work is dramatic and full of action ...
... Odyssey after the Iliad many proofs may be given , etc. From hence in my judgment it proceeds that as the Iliad was written while his spirit was in its greatest vigor , the whole structure of that work is dramatic and full of action ...
Sivu 149
... Odyssey to have less sublimity and fire than the Iliad , but he does not say it wants the sublime or wants fire . He affirms it to be narrative , but not that the nar- ration is defective . He affirms it to abound in fictions , not that ...
... Odyssey to have less sublimity and fire than the Iliad , but he does not say it wants the sublime or wants fire . He affirms it to be narrative , but not that the nar- ration is defective . He affirms it to abound in fictions , not that ...
Sisältö
Preface to the Works of 1717 | 23 |
From Popes Correspondence | 29 |
Of the Art of Sinking in Poetry | 43 |
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action admire allowed Ancients appear Bathos beauty better Book character circumstances common considered criticism edition English epic Essay example excellent expression figures force genius give given greater greatest hand hath head Homer honor ideas Iliad images imagination imitation invention judge judgment kind language learning least less lines live look manner means method mind moral names Nature never numbers object observe occasion Odyssey once original particular passages pastoral persons Philips piece plain plays pleased poem poet poetical poetry Pope Pope's practice praise present Press principal proper raise reader reason remarks rise rules seems sense Shakespeare short simplicity sometimes sort speak speeches spirit style sublime taken taste things thought tion translation true turn University verse Virgil whole writing