Literary Criticism of Alexander PopeUniversity of Nebraska Press, 1965 - 181 sivua |
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Sivu 7
... force . I know there are , to whose presumptuous thoughts 170 Those freer beauties , even in them , seem faults . Some figures monstrous and misshaped appear , Considered singly , or beheld too near , Which , but proportioned to their ...
... force . I know there are , to whose presumptuous thoughts 170 Those freer beauties , even in them , seem faults . Some figures monstrous and misshaped appear , Considered singly , or beheld too near , Which , but proportioned to their ...
Sivu 32
... force in imprinting the image on the reader . We have one excellent example of this in our language , Mr. Dryden's ode on St. Cecilia's Day entitled " Alexander's Feast , or the Power of Music . " To Cromwell , May 7 , 1709 The hiatus ...
... force in imprinting the image on the reader . We have one excellent example of this in our language , Mr. Dryden's ode on St. Cecilia's Day entitled " Alexander's Feast , or the Power of Music . " To Cromwell , May 7 , 1709 The hiatus ...
Sivu 162
... force of each motive depends . This is perfectly amazing from a man of no education or experience in those great and public scenes of life which are usually the subject of his thoughts ; so that he seems to have known the world by ...
... force of each motive depends . This is perfectly amazing from a man of no education or experience in those great and public scenes of life which are usually the subject of his thoughts ; so that he seems to have known the world by ...
Sisältö
Preface to the Works of 1717 | 23 |
From Popes Correspondence | 29 |
Of the Art of Sinking in Poetry | 43 |
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action admire allowed Ancients appear Bathos beauty better Book character circumstances common considered criticism edition English epic Essay example excellent expression figures force genius give given greater greatest hand hath head Homer honor ideas Iliad images imagination imitation invention judge judgment kind language learning least less lines live look manner means method mind moral names Nature never numbers object observe occasion Odyssey once original particular passages pastoral persons Philips piece plain plays pleased poem poet poetical poetry Pope Pope's practice praise present Press principal proper raise reader reason remarks rise rules seems sense Shakespeare short simplicity sometimes sort speak speeches spirit style sublime taken taste things thought tion translation true turn University verse Virgil whole writing