Intersections and Transpositions: Russian Music, Literature, and SocietyAndrew Wachtel Northwestern University Press, 1998 - 301 sivua This collection serves as an introduction to the great variety of approaches being used by Slavicists and historians to situate music and literature in the Russian cultural imagination. Part I focuses on music in art. The nine essays in this section explore the complex interaction of literary and musical texts in the nineteenth and twentieth centuries. Contributors discuss such writers as Pushkin, Chekhov, and Pasternak, and composers including Musorgsky, Prokofiev, Shostakovich, and Blok. Part II centers on music in life. Its five essays address music as a cultural form, as presented and enjoyed in the home, the theater, and the opera house. This book provides a unique window on The musical, literary, and social interactions that have been typical of modern Russian culture.Contributing to this volume are Thomas P. Hodge, Caryl Emerson, Jennifer Fuller, Justin Weir, Alexander Burry, James Morgan, Andrew Baruch Wachtel, Tim Langen, Jesse Langen, Richard Stites, Ilya Vinitsky, Julie Buckler, Rosamund Bartlett, Boris Gasparov, Nicholas Glossop, and Amy Nelson. |
Sisältö
Karamzin Pushkin | 20 |
An Examination of Folk Motifs | 33 |
Sonata Form in Chekhovs The Black Monk | 58 |
The Golden Cockerel between Realism and Modernism | 73 |
Prokofievs The Gambler | 90 |
Shostakovichs Adaptation of Gogol | 111 |
The Case of Shostakovich and Blok | 138 |
Temporal Counterpoint as a Principle of Formation | 165 |
Music at Home in the Twilight of Serfdom | 187 |
Signora Melas or An Italian Soprano in Russia | 206 |
The Kadmina Legend in Russian Literature | 225 |
The Theories | 253 |
On the Peculiarities of Soviet Rock and Roll | 274 |
Notes on Contributors | 299 |
Muita painoksia - Näytä kaikki
Intersections and Transpositions: Russian Music, Literature, and Society Andrew Wachtel Esikatselu ei käytettävissä - 1998 |
Yleiset termit ja lausekkeet
Alexander Alexei's artistic Astrologer audience bands Black Monk Boris Godunov Borodin Bulgarin century characters Chekhov's chorus composer composition conservatory context critics cultural Dadon death Doctor Zhivago Dostoevsky's drama elements example Expressionism expressionist Gambler genres Gogol's Golden Cockerel Gozenpud Iavorsky Iavorsky's Ibid interpretation Italian opera Ivan Susanin Kadmina Kadmina legend Karamzin Klara Milich Kovalev's Kovrin leitmotiv Leningrad libretto lines literary literature lyric Melas's melodic Mikhail modal rhythm Moscow motif musicians Musorgsky Musorgsky's Muzyka Narkompros narrative Nikolai Nose novel octatonic scale Odoevsky orchestra original Pasternak pedfak performance Petersburg piano play poem political Polovtsian polyphony Prince Igor Prokofiev prose Pushkin Queen Repina Richard Taruskin Rimsky-Korsakov's rock music role Russian music Ryleev satire scene serf Sergei Glinka Shostakovich singer singing sonata form song source text Soviet rock stage story structure style tale Taruskin theater themes theory tion translation transposition Tsar University Press voice Wozzeck