CHAPTER VI.

BURKE AND HIS FRIENDS.

THOUGH Burke had, at a critical period of his life, definitely abandoned the career of letters, he never withdrew from close intimacy with the groups who still live for us in the pages of Boswell, as no other literary group in our history lives. Goldsmith's famous lines in Retaliation show how they all deplored that he should to party give up, what was meant for mankind. They often told one another that Edmund Burke was the man whose genius pointed him out as the triumphant champion of faith and sound philosophy against deism, atheism, and David Hume. They loved to see him, as Goldsmith said, wind into his subject like a serpent. Everybody felt at the Literary Club that he had no superior in knowledge, and in colloquial dialectics only one equal. Garrick was there, and of all the names of the time he is the man whom one would perhaps most willingly have seen, because the gifts which threw not only Englishmen, but Frenchmen like Diderot, and Germans like Lichtenberg, into amazement and ecstasy, are exactly those gifts which literary description can do least to reproduce. Burke was one of his strongest admirers, and there was no more zealous attendant at the closing series of performances in which the great monarch of the stage abdicated his throne. In the last pages that he

wrote, Burke refers to his ever dear friend Garrick, dead nearly twenty years before, as the first of actors because he was the acutest observer of nature that he had ever known. Then among men who pass for being more serious than players, Robertson was often in London society, and he attracted Burke by his largeness and breadth. He sent a copy of his history of America, and Burke thanked him with many stately compliments for having employed philosophy to judge of manners, and from manners having drawn new resources of philosophy. Gibbon was there, but the bystanders felt what was too crudely expressed by Mackintosh, that Gibbon might have been taken from a corner of Burke's mind without ever being missed. Though Burke and Gibbon constantly met, it is not likely < that, until the Revolution, there was much intimacy between them, in spite of the respect which each of them might well have had for the vast knowledge of the other. When the Decline and Fall was published, Burke read it as everybody else did; but he told Reynolds that he disliked the style, as very affected, mere frippery and tinsel. Sir Joshua himself was neither a man of letters nor a keen politician; but he was full of literary ideas and interests, and he was among Burke's warmest and most constant friends, following him with an admiration and reverence that even Johnson sometimes thought excessive. The reader of Reynolds's famous Discourses will probably share the wonder of his contemporaries, that a man whose time was so absorbed in the practice of his art, should have proved himself so excellent a master in the expression of some of its principles. Burke was commonly credited with a large share in their composition, but the evidence goes no further than that Reynolds used to talk them over with him. The friendship between the pair was full and

unalloyed. What Burke admired in the great artist was his sense and his morals, no less than his genius; and to a man of his fervid and excitable temper there was the most attractive of all charms in Sir Joshua's placidity, gentleness, evenness, and the habit, as one of his friends described it, of being the same all the year round. When Reynolds died in 1792, he appointed Burke one of his executors, and left him a legacy of two thousand pounds, besides cancelling a bond of the same amount.

Johnson, however, is the only member of that illustrious company who can profitably be compared with Burke in strength and impressiveness of personality, in a large sensibility at once serious and genial, in brooding care for all the fulness of human life. This striking pair were the two complements of a single noble and solid type, holding tenaciously, in a century of dissolvent speculation, to the best ideas of a society that was slowly passing. They were powerless to hinder the inevitable transformationOne of them did not even dimly foresee it. But both of them help us to understand how manliness and reverence, strength and tenderness, love of truth and pity for man, all flourished under old institutions and old ways of thinking, into which the forces of the time were even then silently breathing a new spirit. The friendship between Burke and Johnson lasted as long as they lived; and if we remember that Johnson was a strong Tory, and declared that the first Whig was the devil, and habitually talked about cursed Whigs and bottomless Whigs, it is an extraordinary fact that his relations with the greatest Whig writer and politician of his day were marked by a cordiality, respect, and admiration that never varied nor wavered. Burke," he said in a well-known passage, "is such a man that if you met him for the first time in the street, where you

were stopped by a drove of oxen, and you and he stepped aside to take shelter but for five minutes, he'd talk to you in such a manner that, when you parted, you would say, This is an extraordinary man. He is never what we would call humdrum; never unwilling to begin to talk, nor in haste to leave off." That Burke was as good a listener as he was a talker, Johnson never would allow. "So desirous is he to talk," he said, "that if one is talking at this end of the table, he'll talk to somebody at the other end." Johnson was far too good a critic, and too honest a man, to assent to a remark of Robertson's, that Burke had wit. "No, sir," said the sage, most truly, "he never succeeds there. 'Tis low, 'tis conceit." Wit apart, he described Burke as the only man whose common conversation corresponded to his general fame in the world; take up whatever topic you might please, he was ready to meet you. When Burke found a seat in Parliament, Johnson said, "Now we who know Burke, know that he will be one of the first men in the country." He did not grudge that Burke should be the first man in the House of Commons, for Burke, he said, was always the first man everywhere. when he was ill, somebody mentioned Burke's name. Johnson cried out, "That fellow calls forth all my powers; were I to see Burke now it would kill me."

Once

Burke heartily returned this high appreciation. When some flatterer hinted that Johnson had taken more than his right share of the evening's talk, Burke said, "Nay, it is enough for me to have rung the bell for him." Some one else spoke of a successful imitation of Johnson's style. Burke with vehemence denied the success: the performance, he said, had the pomp, but not the force of the original; the nodosities of the oak, but not its strength;

the contortions of the sibyl, but none of the inspiration. When Burke showed the old sage of Bolt Court over his fine house and pleasant gardens at Beaconsfield, Non invideo equidem, Johnson said, with placid good-will, miror magis. They always parted in the deep and pregnant phrase of a sage of our own day, except in opinion not disagreeing. In truth the explanation of the sympathy between them is not far to seek. We may well believe that Johnson was tacitly alive to the essentially conservative spirit of Burke even in his most Whiggish days. And Burke penetrated the liberality of mind in a Tory, who called out with loud indignation that the Irish were in a most unnatural state, for there the minority prevailed over the majority, and the severity of the persecution exercised by the Protestants of Ireland against the Catholics, exceeded that of the ten historic persecutions of the Christian Church.

The parties at Beaconsfield, and the evenings at the Turk's Head in Gerard Street, were contemporary with the famous days at Holbach's country house at Grandval. When we think of the reckless themes that were so recklessly discussed by Holbach, Diderot, and the rest of that indefatigable band, we feel that, as against the French philosophic party, an English Tory like Johnson and an English Whig like Burke would have found their own differences too minute to be worth considering. If the group from the Turk's Head could have been transported for an afternoon to Grandval, perhaps Johnson would have been the less impatient and disgusted of the two. He had the capacity of the more genial sort of casuist for playing with subjects, even moral subjects, with the freedom, versatility, and ease that are proper to literature. Burke, on the contrary, would not have failed to see, as indeed we know that he did not fail to see, that a social pandemonium was being