Coleridge and the Literature of SensibilityVision, 1978 - 270 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 60
Sivu 138
... English literature is John Hollander's The Untuning of the Sky ( Princeton , 1961 ) , but for Milton Hollander's account must be supple- mented by Spitzer and by James Hutton , ' Some English Poems in Praise of Music ' , English ...
... English literature is John Hollander's The Untuning of the Sky ( Princeton , 1961 ) , but for Milton Hollander's account must be supple- mented by Spitzer and by James Hutton , ' Some English Poems in Praise of Music ' , English ...
Sivu 198
... English Pindaric Revival . If we consider but one of them - the extent to which school and university education equipped poets from Cowley to Coleridge to scan or construe Pindar's odes with any accuracy — we shall begin to see why not ...
... English Pindaric Revival . If we consider but one of them - the extent to which school and university education equipped poets from Cowley to Coleridge to scan or construe Pindar's odes with any accuracy — we shall begin to see why not ...
Sivu 225
... English poetry . After Coleridge , Wordsworth and Shelley , the greater Romantic lyric in England ( but not necessarily in other English - speaking countries ) is more often ' thoughtful ' than epiphanic . And surely it is no ...
... English poetry . After Coleridge , Wordsworth and Shelley , the greater Romantic lyric in England ( but not necessarily in other English - speaking countries ) is more often ' thoughtful ' than epiphanic . And surely it is no ...
Sisältö
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Tekijänoikeudet | |
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Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young