Coleridge and the Literature of SensibilityVision, 1978 - 270 sivua |
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Tulokset 1 - 3 kokonaismäärästä 46
Sivu 155
... imagination allied with divine ' Joy ' . Neither Bowles nor Hartley entertained such a lofty view of the poetic enterprise , though the humbleness of the one ( ' the only always natural poet in our language ' ) and the scientific ...
... imagination allied with divine ' Joy ' . Neither Bowles nor Hartley entertained such a lofty view of the poetic enterprise , though the humbleness of the one ( ' the only always natural poet in our language ' ) and the scientific ...
Sivu 213
... imagination , humble and sublime , Dyer is obliged — and doubtless relieved to scale down his claims for the role of imagination in his poem : * 82 Now , while Phoebus riding high , Gives lustre to the land and sky ! Grongar Hill ...
... imagination , humble and sublime , Dyer is obliged — and doubtless relieved to scale down his claims for the role of imagination in his poem : * 82 Now , while Phoebus riding high , Gives lustre to the land and sky ! Grongar Hill ...
Sivu 243
... Imagination at his birth ; at another , we are told , Joy is given to the pure , and in their purest hour , and Joy then weds ' Nature ' to us and so gives in dower a new Earth and new Heaven . What Coleridge seems to be saying is that ...
... Imagination at his birth ; at another , we are told , Joy is given to the pure , and in their purest hour , and Joy then weds ' Nature ' to us and so gives in dower a new Earth and new Heaven . What Coleridge seems to be saying is that ...
Sisältö
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Tekijänoikeudet | |
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Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young