Coleridge and the Literature of SensibilityVision, 1978 - 270 sivua |
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Tulokset 1 - 3 kokonaismäärästä 18
Sivu 27
... March and 4 April , was that her magnificent description of the new moon in March supplied Coleridge with the donnée for the opening passage of Dejection : 5 On Monday evening , when she made her detailed note of the circumstances , she ...
... March and 4 April , was that her magnificent description of the new moon in March supplied Coleridge with the donnée for the opening passage of Dejection : 5 On Monday evening , when she made her detailed note of the circumstances , she ...
Sivu 56
... March 1801 , to Poole . 36. Letters , II , 713-14 , dated 25 March 1801 . 37. Letters , II , 725 , dated 28 April 1801 , to Godwin . 38. E.g. Letters , II , 731 , 751 . 39 . Letters , II , 772 . 40. The Coleridges appear to have based ...
... March 1801 , to Poole . 36. Letters , II , 713-14 , dated 25 March 1801 . 37. Letters , II , 725 , dated 28 April 1801 , to Godwin . 38. E.g. Letters , II , 731 , 751 . 39 . Letters , II , 772 . 40. The Coleridges appear to have based ...
Sivu 100
... March 1796 , 139 . 56. Henry Crabb Robinson on Books and Their Writers , ed . Edith J. Morley ( London , 1938 ) , I , 122. Coleridge's remarks are dated 2 March 1813 . 57. Werter and Charlotte , 117-18 . 58. Goethe , Die Leiden des ...
... March 1796 , 139 . 56. Henry Crabb Robinson on Books and Their Writers , ed . Edith J. Morley ( London , 1938 ) , I , 122. Coleridge's remarks are dated 2 March 1813 . 57. Werter and Charlotte , 117-18 . 58. Goethe , Die Leiden des ...
Sisältö
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Tekijänoikeudet | |
5 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young