Coleridge and the Literature of SensibilityVision, 1978 - 270 sivua |
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Tulokset 1 - 3 kokonaismäärästä 39
Sivu 35
... believe , a quite different meaning - for once Coleridge was able to relegate ' Milton ' to a notebook entry - yet this letter to Cottle is a sort of sketch and audition combined for the great ode of 1802 . Whatever else they may be ...
... believe , a quite different meaning - for once Coleridge was able to relegate ' Milton ' to a notebook entry - yet this letter to Cottle is a sort of sketch and audition combined for the great ode of 1802 . Whatever else they may be ...
Sivu 59
... believe it is a significant part of the personal and intellectual history of English Romanticism . Other friends and enemies and legendary figures belong in the story as well , and they will appear in due course . Of these friendships ...
... believe it is a significant part of the personal and intellectual history of English Romanticism . Other friends and enemies and legendary figures belong in the story as well , and they will appear in due course . Of these friendships ...
Sivu 172
... believe there is no real conflict between this claim and the claim by the OED that the word in this sense ( ' chiefly after Ger . genial , genialish ' ) makes its first quotable appearance in 1825. The sense of ' pertaining to creative ...
... believe there is no real conflict between this claim and the claim by the OED that the word in this sense ( ' chiefly after Ger . genial , genialish ' ) makes its first quotable appearance in 1825. The sense of ' pertaining to creative ...
Sisältö
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Tekijänoikeudet | |
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Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young