Coleridge and the Literature of SensibilityVision, 1978 - 270 sivua |
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Tulokset 1 - 3 kokonaismäärästä 28
Sivu 93
... delight that feels the present God . Southey in 1798 was of course more conventional than either Wordsworth or Coleridge in his piety as well as in his diction and imagery ; he was also more complacent . Yet Autumn is not a merely ...
... delight that feels the present God . Southey in 1798 was of course more conventional than either Wordsworth or Coleridge in his piety as well as in his diction and imagery ; he was also more complacent . Yet Autumn is not a merely ...
Sivu 159
... Delight ' : a natural springtime experience which the reverent mind will ' improve ' into a transcendent Christian experi- ence . Addison's description of ' Vernal Delight ' is worth quoting : 32 In the opening of the Spring , when all ...
... Delight ' : a natural springtime experience which the reverent mind will ' improve ' into a transcendent Christian experi- ence . Addison's description of ' Vernal Delight ' is worth quoting : 32 In the opening of the Spring , when all ...
Sivu 239
... delight , As Otway's self had framed the tender lay , The language here and at the end of Stanza I quite possibly echoes Milton's restatement of Aristotle in the Preface to Samson Agon- istes : " Tragedy , as it was anciently compos'd ...
... delight , As Otway's self had framed the tender lay , The language here and at the end of Stanza I quite possibly echoes Milton's restatement of Aristotle in the Preface to Samson Agon- istes : " Tragedy , as it was anciently compos'd ...
Sisältö
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Tekijänoikeudet | |
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Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young