Coleridge and the Literature of SensibilityVision, 1978 - 270 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 34
Sivu 61
... earth by ' pelting Wrong ' , relieves him of any responsibility for his own death . The lines On Observing a Blossom conclude with a passage which also faintly anticipates the poetic situation in De- jection - the distant sick female ...
... earth by ' pelting Wrong ' , relieves him of any responsibility for his own death . The lines On Observing a Blossom conclude with a passage which also faintly anticipates the poetic situation in De- jection - the distant sick female ...
Sivu 149
... earth , dwelleth not in temples made with hands ; Neither is worshipped with men's hands , as though he needed any things , seeing he giveth to all life , and breath , and all things ; And hath made of one blood all nations of men for ...
... earth , dwelleth not in temples made with hands ; Neither is worshipped with men's hands , as though he needed any things , seeing he giveth to all life , and breath , and all things ; And hath made of one blood all nations of men for ...
Sivu 233
... Earth and new Heaven ' helps us to understand what Coleridge is saying about the aesthetic and spiritual apprehension of nature . Heaven cannot be the object of human perception , but Earth can be . Therefore , if Heaven is to be felt ...
... Earth and new Heaven ' helps us to understand what Coleridge is saying about the aesthetic and spiritual apprehension of nature . Heaven cannot be the object of human perception , but Earth can be . Therefore , if Heaven is to be felt ...
Sisältö
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Tekijänoikeudet | |
5 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young