Coleridge and the Literature of SensibilityVision, 1978 - 270 sivua |
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Tulokset 1 - 3 kokonaismäärästä 63
Sivu 153
... feel strongly , and I think strongly ; but I seldom feel without thinking , or think without feeling . Hence tho ' my poetry has in general a hue of tenderness , or Passion over it , yet it seldom exhibits unmixed & simple tenderness or ...
... feel strongly , and I think strongly ; but I seldom feel without thinking , or think without feeling . Hence tho ' my poetry has in general a hue of tenderness , or Passion over it , yet it seldom exhibits unmixed & simple tenderness or ...
Sivu 157
... feel how beautiful they are ' , and goes on to say , And would we aught behold , of higher worth , Than that inanimate cold world allowed To the poor loveless ever - anxious crowd , Ah ! from the soul itself must issue forth , A light ...
... feel how beautiful they are ' , and goes on to say , And would we aught behold , of higher worth , Than that inanimate cold world allowed To the poor loveless ever - anxious crowd , Ah ! from the soul itself must issue forth , A light ...
Sivu 257
George Dekker. And makes it doubly keen Compelling me to feel , as well as KNOW , 275 What a most blessed Lot mine might have been . Those little Angel Children ( woe is me ! ) There have been hours , when feeling how they bind And pluck ...
George Dekker. And makes it doubly keen Compelling me to feel , as well as KNOW , 275 What a most blessed Lot mine might have been . Those little Angel Children ( woe is me ! ) There have been hours , when feeling how they bind And pluck ...
Sisältö
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Tekijänoikeudet | |
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Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young