Coleridge and the Literature of SensibilityVision, 1978 - 270 sivua |
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Sivu 168
... genial spirits fail . . . . ' I have already pointed out that this line sadly , ironically recalls not only Milton's original phrase in Samson Agonistes ( 1. 594 ) but also Wordsworth's confident echo of Milton in Tintern Abbey ( 1. 113 ) ...
... genial spirits fail . . . . ' I have already pointed out that this line sadly , ironically recalls not only Milton's original phrase in Samson Agonistes ( 1. 594 ) but also Wordsworth's confident echo of Milton in Tintern Abbey ( 1. 113 ) ...
Sivu 169
... genial ' , though perhaps not in Milton's . And Johnson's third category , ' Natural ' , appears to be a perfectly compatible secondary meaning of ' genial ' in both Milton and Coleridge . So far , so good . But I believe that most of ...
... genial ' , though perhaps not in Milton's . And Johnson's third category , ' Natural ' , appears to be a perfectly compatible secondary meaning of ' genial ' in both Milton and Coleridge . So far , so good . But I believe that most of ...
Sivu 173
... genial ' which bear a secondary sense of creative genius , but that they are difficult to recognize and nearly impos- sible to demonstrate . ( I have spent more than a few hours trying to do both . ) However this may be , it is ...
... genial ' which bear a secondary sense of creative genius , but that they are difficult to recognize and nearly impos- sible to demonstrate . ( I have spent more than a few hours trying to do both . ) However this may be , it is ...
Sisältö
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Tekijänoikeudet | |
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Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young