Coleridge and the Literature of SensibilityVision, 1978 - 270 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 54
Sivu 183
... greater ' and ' lesser ' odes . Sec- tion 4 , an analysis of the lesser ode and its Horatian model , works largely as a foil to section 5 , a longer and more ... more akin to the Roman gravitas or Miltonic ' 183 THE GREATER ODE.
... greater ' and ' lesser ' odes . Sec- tion 4 , an analysis of the lesser ode and its Horatian model , works largely as a foil to section 5 , a longer and more ... more akin to the Roman gravitas or Miltonic ' 183 THE GREATER ODE.
Sivu 191
... , that the tone and des- criptive procedures of Ode to Evening are derived from Il Penser- oso and are radically unlike those of loco - descriptive poetry : Milton's ' pensive Nun ' Melancholy belongs to night and 191 THE GREATER ODE.
... , that the tone and des- criptive procedures of Ode to Evening are derived from Il Penser- oso and are radically unlike those of loco - descriptive poetry : Milton's ' pensive Nun ' Melancholy belongs to night and 191 THE GREATER ODE.
Sivu 210
... greater ode in the present essay , I must say something further concerning the new and central role of landscape in extended lyric poems - the de- velopment which led to what Professor Abrams has called the greater Romantic lyric . 7 I ...
... greater ode in the present essay , I must say something further concerning the new and central role of landscape in extended lyric poems - the de- velopment which led to what Professor Abrams has called the greater Romantic lyric . 7 I ...
Sisältö
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Tekijänoikeudet | |
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Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young