Coleridge and the Literature of SensibilityVision, 1978 - 270 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 64
Sivu 35
... less and less convincing , the impersonation of the ' flat ' Samson gradually usurps the reality of Coleridge's life . Though the reversal in Dejection has , I believe , a quite different meaning - for once Coleridge was able to ...
... less and less convincing , the impersonation of the ' flat ' Samson gradually usurps the reality of Coleridge's life . Though the reversal in Dejection has , I believe , a quite different meaning - for once Coleridge was able to ...
Sivu 203
... less ' available ' to them than work from other periods and languages . We know what Wordsworth very deliberately ... less original and challenging Pindarists of the intervening genera- tion ? Among the odes that might be chosen in ...
... less ' available ' to them than work from other periods and languages . We know what Wordsworth very deliberately ... less original and challenging Pindarists of the intervening genera- tion ? Among the odes that might be chosen in ...
Sivu 255
... less deep , less loud ! A Tale of less Affright , And temper'd with Delight , As William's Self had made the tender Lay- ' Tis of a little Child 210 Upon a heathy Wild , Not far from home - but it has lost it's way— And now moans low in ...
... less deep , less loud ! A Tale of less Affright , And temper'd with Delight , As William's Self had made the tender Lay- ' Tis of a little Child 210 Upon a heathy Wild , Not far from home - but it has lost it's way— And now moans low in ...
Sisältö
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Tekijänoikeudet | |
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Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young