Coleridge and the Literature of SensibilityVision, 1978 - 270 sivua |
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Sivu 169
... meaning of ' genial ' in both Milton and Coleridge . So far , so good . But I believe that most of us will feel that some- thing is missing from this cluster of meanings that is part of the meaning of ' genial ' in Dejection — namely ...
... meaning of ' genial ' in both Milton and Coleridge . So far , so good . But I believe that most of us will feel that some- thing is missing from this cluster of meanings that is part of the meaning of ' genial ' in Dejection — namely ...
Sivu 170
... meanings are almost as important as its primary meaning— if indeed it is possible to decide what the primary meaning is . To take an extreme but highly apposite example : in Gerontian T. S. Eliot turns such possibilities into a poetic ...
... meanings are almost as important as its primary meaning— if indeed it is possible to decide what the primary meaning is . To take an extreme but highly apposite example : in Gerontian T. S. Eliot turns such possibilities into a poetic ...
Sivu 171
... meanings of ' gener- ative ' and ' festive ' are so nearly as important as the primary meaning of ' natural disposition ' that to give the right primary meaning only is to give the wrong meaning . Here is a case where a fusion of old ...
... meanings of ' gener- ative ' and ' festive ' are so nearly as important as the primary meaning of ' natural disposition ' that to give the right primary meaning only is to give the wrong meaning . Here is a case where a fusion of old ...
Sisältö
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Tekijänoikeudet | |
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Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young