Coleridge and the Literature of SensibilityVision, 1978 - 270 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 38
Sivu 38
... once cloathed & mitred with Flame . That is past by ! I was once a Volume of Gold Leaf , rising & riding on every breath of Fancy - but I have beaten myself back into weight & density , & now I sink in quicksilver , yea , remain squat ...
... once cloathed & mitred with Flame . That is past by ! I was once a Volume of Gold Leaf , rising & riding on every breath of Fancy - but I have beaten myself back into weight & density , & now I sink in quicksilver , yea , remain squat ...
Sivu 63
... once too literary and too casual to mean anything very precisely . But the identification of Chatterton with his monodist is made once again by a very shrewd judge of Cole- ridge's strengths and weaknesses , and the form of Lamb's imita ...
... once too literary and too casual to mean anything very precisely . But the identification of Chatterton with his monodist is made once again by a very shrewd judge of Cole- ridge's strengths and weaknesses , and the form of Lamb's imita ...
Sivu 114
... once bigger and smaller than ' My shaping spirit of Imagination ' : Or what if all of animated nature Be but organic Harps diversely fram'd , That tremble into thought , as o'er them sweeps Plastic and vast , one intellectual breeze ...
... once bigger and smaller than ' My shaping spirit of Imagination ' : Or what if all of animated nature Be but organic Harps diversely fram'd , That tremble into thought , as o'er them sweeps Plastic and vast , one intellectual breeze ...
Sisältö
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Tekijänoikeudet | |
5 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young