Coleridge and the Literature of SensibilityVision, 1978 - 270 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 25
Sivu 19
... references to these editions are not given , since I assume that the reader of this book will know the poems and have ready access to these , the Oxford Standard Authors , editions . In references to editions of the letters , note ...
... references to these editions are not given , since I assume that the reader of this book will know the poems and have ready access to these , the Oxford Standard Authors , editions . In references to editions of the letters , note ...
Sivu 74
... references to Burns and Chatterton in Resolution and Independence were very pregnant ones for Words- worth and ... reference to a bookish poet would be out of place with the old leech - gatherer and the lonely moor . To say so , however ...
... references to Burns and Chatterton in Resolution and Independence were very pregnant ones for Words- worth and ... reference to a bookish poet would be out of place with the old leech - gatherer and the lonely moor . To say so , however ...
Sivu 152
... poem . 2 Among Coleridge's many early references to Mark Akenside is one which couples his name with that of William Lisle Bowles . This occurs in a letter of late 1796 : ' I 152 COLERIDGE AND THE LITERATURE OF SENSIBILITY.
... poem . 2 Among Coleridge's many early references to Mark Akenside is one which couples his name with that of William Lisle Bowles . This occurs in a letter of late 1796 : ' I 152 COLERIDGE AND THE LITERATURE OF SENSIBILITY.
Sisältö
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Tekijänoikeudet | |
5 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young