Coleridge and the Literature of SensibilityVision, 1978 - 270 sivua |
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Tulokset 1 - 3 kokonaismäärästä 13
Sivu 11
... Studies of the poem have sometimes been written without much awareness of the cultural gap between these writers and the next generation or even of the experiential gap between Coleridge in 1802 and Coleridge in 1817. But before ...
... Studies of the poem have sometimes been written without much awareness of the cultural gap between these writers and the next generation or even of the experiential gap between Coleridge in 1802 and Coleridge in 1817. But before ...
Sivu 12
... studies - especially Coleridgean studies is necessarily a collaborative affair , subject to many in- dividual oversights and plain blunders . There are various reasons why this should be so , but here it may suffice to point out that ...
... studies - especially Coleridgean studies is necessarily a collaborative affair , subject to many in- dividual oversights and plain blunders . There are various reasons why this should be so , but here it may suffice to point out that ...
Sivu 54
... Studies , XXII ( 1937 ) , 7-25 . Reprinted in Wordsworthian and Other Studies ( Oxford , 1947 ) , 57–76 , which is the text I have consulted . Journals of Dorothy Wordsworth ( London , 1941 ) , 2 vols . As noted above , my citations are ...
... Studies , XXII ( 1937 ) , 7-25 . Reprinted in Wordsworthian and Other Studies ( Oxford , 1947 ) , 57–76 , which is the text I have consulted . Journals of Dorothy Wordsworth ( London , 1941 ) , 2 vols . As noted above , my citations are ...
Sisältö
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Tekijänoikeudet | |
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Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young