Coleridge and the Literature of SensibilityVision, 1978 - 270 sivua |
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Sivu 9
... writings . The story as I tell it differs widely from all previous accounts , and I believe it makes better sense both of the poem and of the biographical evidence . My second chapter takes its departure from those lines in Resolution ...
... writings . The story as I tell it differs widely from all previous accounts , and I believe it makes better sense both of the poem and of the biographical evidence . My second chapter takes its departure from those lines in Resolution ...
Sivu 12
... writings to interpret his earlier ones , as if his intervening experience of life and letters were of no consequence . While the evidence afforded by Coleridge's later writings and recorded comments cannot be simply dismissed as ...
... writings to interpret his earlier ones , as if his intervening experience of life and letters were of no consequence . While the evidence afforded by Coleridge's later writings and recorded comments cannot be simply dismissed as ...
Sivu 69
... writings of this period ( 1796 ) suggest that the intended therapeutic function of this poem was to rouse the person addressed from a preoccupation with private misery by enlisting him in an act of public protest . One such writing is ...
... writings of this period ( 1796 ) suggest that the intended therapeutic function of this poem was to rouse the person addressed from a preoccupation with private misery by enlisting him in an act of public protest . One such writing is ...
Sisältö
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Tekijänoikeudet | |
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Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young