Coleridge and the Literature of SensibilityVision, 1978 - 270 sivua |
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Tulokset 1 - 3 kokonaismäärästä 69
Sivu 31
... written a poem like this , and it is almost as clear that he could hardly have written it , or wanted to write it , at any other moment in his career ' . " With the first part of this statement I can have no quarrel ; only this ...
... written a poem like this , and it is almost as clear that he could hardly have written it , or wanted to write it , at any other moment in his career ' . " With the first part of this statement I can have no quarrel ; only this ...
Sivu 41
... written . Second , I have wished to establish that , so far as main themes and images and theories are concerned , the ode as distinct from the verse - letter - could have been written at least a year before the 4 April 1802 date which ...
... written . Second , I have wished to establish that , so far as main themes and images and theories are concerned , the ode as distinct from the verse - letter - could have been written at least a year before the 4 April 1802 date which ...
Sivu 51
... written during that visit and then included , rather ineptly , in the verse letter to her strongly suggests that it was meant especially for her in the hope that she would recall - what ? A walk together on a fine March morning ? A ...
... written during that visit and then included , rather ineptly , in the verse letter to her strongly suggests that it was meant especially for her in the hope that she would recall - what ? A walk together on a fine March morning ? A ...
Sisältö
Introduction | 7 |
The Reshaping Spirit | 21 |
Blue Coat Boys | 58 |
Tekijänoikeudet | |
5 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
Aeolian harp ancient appear associated beautiful begin believe called century certainly Chatterton closely Coleridge Coleridge's concerned Conversation course creative critical dated Dejection delight described discussion earlier early earth effect eighteenth-century English evidence experience feel genial genius give greater greater ode hand Harmony harp heart hope human Imagination important influence inspiration kind later less light lines literary live London lyric March meaning metaphor Milton mind moon move nature never night once opening original pain passage perhaps Pindaric pleasure poem poet poetic poetry possible present quoted reader references rhetorical Romantic Sara seems sense Sensibility soul sounds Southey spirit Stanza studies suggested suppose sure sweet theory things thou thought tion Tiresias tradition true turn universe verse letter voice wind Wordsworth writings written wrote Young