Tradition and Experiment in English PoetryMacmillan, 1979 - 343 sivua |
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Sivu 86
... influence must have counted for a good deal with Greville ; especially , I would say , the influence of the religious sonnets . However , one must not judge a writer by his influence but by what he achieves ; and in such a judgment ...
... influence must have counted for a good deal with Greville ; especially , I would say , the influence of the religious sonnets . However , one must not judge a writer by his influence but by what he achieves ; and in such a judgment ...
Sivu 291
... influence of the Four Quartets ( 1936-42 ) on Wallace Stevens's ' Notes toward a Supreme Fiction ' ( 1941–2 ) . The ... influence they may be expected to have on English poets is limited ? Certainly it is true to say that the influence ...
... influence of the Four Quartets ( 1936-42 ) on Wallace Stevens's ' Notes toward a Supreme Fiction ' ( 1941–2 ) . The ... influence they may be expected to have on English poets is limited ? Certainly it is true to say that the influence ...
Sivu 304
... influential anthology The Faber Book of Modern Verse . Leavis and Roberts got rather taken in , it seems to me , not by Eliot's poetry , but by his position vis à vis tradition . They thought that Eliot would be more of a healthy influence ...
... influential anthology The Faber Book of Modern Verse . Leavis and Roberts got rather taken in , it seems to me , not by Eliot's poetry , but by his position vis à vis tradition . They thought that Eliot would be more of a healthy influence ...
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Piers Plowman through Modern Eyes I | 1 |
Experimentalist Extraordinary | 30 |
Elizabethan Poetry | 69 |
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acts American appears attempt becomes begins bring called century certainly character characteristic Chaucer comes critics deal death detail direction doubt dramatic early effect Eliot Elizabethan English example experience eyes fact feel figure follow further give given hand images influence Jonson kind King language later leave less literature live look lyric matter means mind mode monologue narrative nature never night once original particular passage perhaps person play plot poem poet poetry present prose reader relation remarkable Romantic scene seems seen sense Shakespeare speak speech stand story suggest taken tale tell thee thing Thomas thou thought tone tradition translation true turn verse Visio voice Whitman whole wife Wordsworth writing young