Tradition and Experiment in English PoetryMacmillan, 1979 - 343 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 32
Sivu 34
... tone , at once expository and self - deprecating , disperses itself through dozens of masks and semblances . Here , in The Parlement of Foules ( c . 1380 ) , we find the wisdom of the achieved poet : The lyf so short , the craft so long ...
... tone , at once expository and self - deprecating , disperses itself through dozens of masks and semblances . Here , in The Parlement of Foules ( c . 1380 ) , we find the wisdom of the achieved poet : The lyf so short , the craft so long ...
Sivu 35
... tone is more complex than the quotation suggests . It is clear from the action , and the various reactions of Pandarus , that he is anything but a fool . The very self - depreca- tion acts as a guarantee of intelligence . And the ...
... tone is more complex than the quotation suggests . It is clear from the action , and the various reactions of Pandarus , that he is anything but a fool . The very self - depreca- tion acts as a guarantee of intelligence . And the ...
Sivu 86
... tone in the choruses is predominantly public and social ; here it is inward and self - communing : Down in the depth of mine iniquity , That ugly centre of infernal spirits ; Where each sin feels her own deformity , In those peculiar ...
... tone in the choruses is predominantly public and social ; here it is inward and self - communing : Down in the depth of mine iniquity , That ugly centre of infernal spirits ; Where each sin feels her own deformity , In those peculiar ...
Sisältö
Piers Plowman through Modern Eyes I | 1 |
Experimentalist Extraordinary | 30 |
Elizabethan Poetry | 69 |
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American appears Auden Ben Jonson Blake Browning Burnt Norton called Canterbury Tales century certainly character characteristic Chaucer Cleopatra Coleridge comedy context cottage critics death dramatic monologue Dryden Eliot Elizabethan English poetry epistle example F. R. Leavis fact fiction figure Georgians husband imagery images imitation Jonson Keats King King Lear Lady Langland language Lear Leavis literature live look lyric Macbeth matter medieval Milton mode modern narrative never night original Othello passage Patrick Kavanagh person Peter Redgrove Piers Plowman pilgrim play plot Plutarch poem poet poetic Pound Prelude Prologue prose reader rhythm Romantic satire scene seems seen sense sermon Shakespeare Shelley sleep song speech Spenser story suggest tale technique tell thee theme thing Thomas thou tone tradition translation turn verse Visio voice W. H. Auden Whitman wife words Wordsworth writing young