Dryden: Poetry & Prose: With Essays by Congreve, Johnson, Scott and OthersClarendon Press, 1925 - 204 sivua |
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Tulokset 1 - 5 kokonaismäärästä 18
Sivu 7
... beauty who is totally free from disproportion of parts and features , cannot be ridiculed by an overcharged resemblance . From his prose , however , Dryden derives only his accidental and secondary praise ; the veneration with which his ...
... beauty who is totally free from disproportion of parts and features , cannot be ridiculed by an overcharged resemblance . From his prose , however , Dryden derives only his accidental and secondary praise ; the veneration with which his ...
Sivu 8
... beauty of style . But if we except a few minds , the favourites of nature , to whom their own original rectitude was in the place of rules , this delicacy of selection was little known to our authors ; our speech lay before them in a ...
... beauty of style . But if we except a few minds , the favourites of nature , to whom their own original rectitude was in the place of rules , this delicacy of selection was little known to our authors ; our speech lay before them in a ...
Sivu 19
... last , indeed very late , he confessed that in his play there was nature , which is the chief beauty . We do not always know our own motives . I am not certain whether it was not rather the difficulty which he C 2 LIFE OF DRYDEN 19.
... last , indeed very late , he confessed that in his play there was nature , which is the chief beauty . We do not always know our own motives . I am not certain whether it was not rather the difficulty which he C 2 LIFE OF DRYDEN 19.
Sivu 32
... common un- common by the use of articulate language in metrical arrangement so as to excite indefinite suggestions of beauty , then he must be acknowledged a master . When we want to see whether a man is a From George Saintsbury's Dryden.
... common un- common by the use of articulate language in metrical arrangement so as to excite indefinite suggestions of beauty , then he must be acknowledged a master . When we want to see whether a man is a From George Saintsbury's Dryden.
Sivu 33
... beauty well display , The blush of morning and the milky way . TO The ideas contained in these lines are as old , beyond all doubt , as the practice of love - making between persons of the Caucasian type of physiognomy , and the images ...
... beauty well display , The blush of morning and the milky way . TO The ideas contained in these lines are as old , beyond all doubt , as the practice of love - making between persons of the Caucasian type of physiognomy , and the images ...
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
Absalom and Achitophel ancient appear beauty began beginning believe better century character Charles Chaucer criticism Dryden edition English equal Essays excellence expression eyes fair father fire follow force fortune friends give given greater hand happy Heaven hope John judge kind King knew known language late laws learned least leave less lines lived look Lord lost manner March master means mind nature never numbers once opinion original Ovid PAGE pains passage passion perhaps Persius persons play pleasing pleasure poem poet poetical poetry praise Preface present prose published reader reason remains rest rhyme satire seems sense short side song soul speak stand studies things thou thought translation turn Vent verse Virgil whole write written wrote
Suositut otteet
Sivu 150 - All the images of Nature were still present to him, and he drew them, not laboriously, but luckily ; when he describes anything, you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learned ; he needed not the spectacles of books to read Nature ; he looked inwards, and found her there.
Sivu 114 - Flushed with a purple grace He shows his honest face: Now give the hautboys breath; he comes, he comes! Bacchus , ever fair and young , Drinking joys did first ordain : Bacchus...
Sivu 150 - I cannot say he is everywhere alike; were he so, I should do him injury to compare him with the greatest of mankind. He is many times flat, insipid ; his comic wit degenerating into clenches, his serious swelling into bombast. But he is always great when some great occasion is presented to him...
Sivu 53 - tis all a cheat; Yet, fooled with hope, men favour the deceit; Trust on, and think to-morrow will repay: To-morrow's falser than the former day; Lies worse, and, while it says, we shall be blest With some new joys, cuts off what we possest.
Sivu 69 - Pleased with the danger, when the waves went high He sought the storms; but for a calm unfit, Would steer too nigh the sands to boast his wit. Great wits are sure to madness near allied. And thin partitions do their bounds divide; Else why should he, with wealth and honor blest.
Sivu 107 - Less than a god they thought there could not dwell Within the hollow of that shell, That spoke so sweetly, and so well. What passion cannot Music raise and quell?
Sivu 118 - At last divine Cecilia came, Inventress of the vocal frame ; The sweet enthusiast, from her sacred store, Enlarged the former narrow bounds, And added length to solemn sounds, With nature's mother-wit, and arts unknown before.
Sivu 74 - A man so various that he seemed to be Not one, but all mankind's epitome : Stiff in opinions, always in the wrong, Was everything by starts and nothing long; But in the course of one revolving moon Was chymist, fiddler, statesman, and buffoon ; Then all for women, painting, rhyming, drinking, Besides ten thousand freaks that died in thinking.
Sivu 82 - ALL human things are subject to decay, And, when Fate summons, monarchs must obey. This Flecknoe found, who, like Augustus, young Was called to empire, and had governed long. In prose and verse was owned, without dispute, Through all the realms of Nonsense absolute.
Sivu 152 - But he has done his robberies so openly, that one may see he fears not to be taxed by any law. He invades authors like a monarch; and what would be theft in other poets is only victory in him. With the spoils of these writers he so represents old Rome to us, in its rites, ceremonies, and customs, that if one of their poets had written either of his tragedies, we had seen less of it than in him.