History of Music in Russia from Antiquity to 1800, Volume 2: The Eighteenth Century

Etukansi
Indiana University Press, 22.12.2021 - 640 sivua

In its scope and command of primary sources and its generosity of scholarly inquiry, Nikolai Findeizen's monumental work, published in 1928 and 1929 in Soviet Russia, places the origins and development of music in Russia within the context of Russia's cultural and social history.

Volume 2 of Findeizen's landmark study surveys music in court life during the reigns of Elizabeth I and Catherine II, music in Russian domestic and public life in the second half of the 18th century, and the variety and vitality of Russian music at the end of the 18th century.

 

Sisältö

Editors Introduction to Volume
viii
Music and Theater 17301740
xv
Music in Court Life during the Reigns of Elizabeth Petrovna and Catherine II
ii
Music in Russias Domestic Life during the Second Half of the Eighteenth Century
1740
The Russian Horn Band
1751
Music in Russian Public Life during the Second Half of the Eighteenth Century
1766
Musical Creativity in Russia during the Eighteenth Century
1301
Literature about Music Publishers and Sellers of Sheet Music Instrument Makers
1477
Music Appendix
1491
Table of Works
1700
Glossary
1801
Notes
1810
Bibliography
1937

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Nikolai Findeizen (1868–1928) founded The Russian Musical Gazette in 1894 and was a member of the artistic council of the Soviet State Opera and State Ballet Theater.

Samuel William Pring (1866–1954), whose home was the Isle of Wight, was an accountant, an amateur clarinetist, and a translator of works about Russian music.

Milos Velimirovic is Professor Emeritus of Music at the University of Virginia.

Claudia R. Jensen has published articles on Russian music in The Musical Quarterly and Journal of the American Musicological Society.

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