Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 sivua |
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Tulokset 1 - 3 kokonaismäärästä 86
Sivu 21
... cause of this again is , that to learn gives the liveliest pleasure , not only to phi- losophers but to men in general ; whose capacity , however , of learning is more limited . 5. Thus the reason why men enjoy seeing a likeness is ...
... cause of this again is , that to learn gives the liveliest pleasure , not only to phi- losophers but to men in general ; whose capacity , however , of learning is more limited . 5. Thus the reason why men enjoy seeing a likeness is ...
Sivu 248
... cause of a following , and is therefore the centre of a present , action . Consequently painting can imitate actions also , but only as they are suggested through forms . Actions , on the other hand , cannot exist inde- pendently , but ...
... cause of a following , and is therefore the centre of a present , action . Consequently painting can imitate actions also , but only as they are suggested through forms . Actions , on the other hand , cannot exist inde- pendently , but ...
Sivu 433
... cause and effect than a constant con- junction of events : poetry is ever found to co- exist with whatever other arts contribute to the happiness and perfection of man . I appeal to what has already been established to distinguish ...
... cause and effect than a constant con- junction of events : poetry is ever found to co- exist with whatever other arts contribute to the happiness and perfection of man . I appeal to what has already been established to distinguish ...
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing