Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 81
Sivu 3
... classical tradition , the various aspects are compactly interwoven with each other . Perhaps the most convenient starting point — and one that immediately begins to involve all the other attitudes - is the basic classical premise that ...
... classical tradition , the various aspects are compactly interwoven with each other . Perhaps the most convenient starting point — and one that immediately begins to involve all the other attitudes - is the basic classical premise that ...
Sivu 8
... classical . Of the new elements that enter into the neo- classic reformulation of classical values , at least three may be briefly noted : the influence of reli- 1. Classical Antiquity ARISTOTLE ( 384 B.C. - 322 B.C.. III The most ...
... classical . Of the new elements that enter into the neo- classic reformulation of classical values , at least three may be briefly noted : the influence of reli- 1. Classical Antiquity ARISTOTLE ( 384 B.C. - 322 B.C.. III The most ...
Sivu 11
... classical grounds . Johnson , in particular , offers many such instances . One example is his pushing be- yond certain fixed and artificial neoclassic " types " of character in the drama - types based originally on the classical ...
... classical grounds . Johnson , in particular , offers many such instances . One example is his pushing be- yond certain fixed and artificial neoclassic " types " of character in the drama - types based originally on the classical ...
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing