Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 sivua |
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Tulokset 1 - 3 kokonaismäärästä 89
Sivu 24
... follow anything by causal necessity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally follows some other thing , either by ne- cessity , or as a rule , but has nothing ...
... follow anything by causal necessity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally follows some other thing , either by ne- cessity , or as a rule , but has nothing ...
Sivu 81
... follow it . This use of the Platonic " ideas " in a specific moral way is characteristic of much Renaissance thinking , and of the extent to which the moral ideas of the Christian tradition were coalescing with classical precepts ...
... follow it . This use of the Platonic " ideas " in a specific moral way is characteristic of much Renaissance thinking , and of the extent to which the moral ideas of the Christian tradition were coalescing with classical precepts ...
Sivu 548
... follows : " [ In the eighteenth century ] to please the public you had to say to it : ' You are all at least at bottom good , virtuous , full of feeling . Let yourselves go , follow your in- stincts ; listen to nature and you will do ...
... follows : " [ In the eighteenth century ] to please the public you had to say to it : ' You are all at least at bottom good , virtuous , full of feeling . Let yourselves go , follow your in- stincts ; listen to nature and you will do ...
Muita painoksia - Näytä kaikki
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing