Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 sivua |
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Sivu 205
... imagination was similar . It is frequently said that John- son " distrusted " the imagination , but what he distrusted was the use of the imagination as a practical , moral guide . For him the term still meant " image- making , ” not ...
... imagination was similar . It is frequently said that John- son " distrusted " the imagination , but what he distrusted was the use of the imagination as a practical , moral guide . For him the term still meant " image- making , ” not ...
Sivu 363
... imagination is like the creative impulse of nature itself . Hence Coleridge's remark that the imagination is “ a repetition in the finite mind of the eternal act of creation " ( he does not mean that it spins something out of nothing ) ...
... imagination is like the creative impulse of nature itself . Hence Coleridge's remark that the imagination is “ a repetition in the finite mind of the eternal act of creation " ( he does not mean that it spins something out of nothing ) ...
Sivu 554
... imagination , he con- cluded wrongly that soul and imagination are romantic monopolies . Like the pseudo - classicist , he inclines to identify high seriousness in art , something that can only come from the exercise of the ethical ...
... imagination , he con- cluded wrongly that soul and imagination are romantic monopolies . Like the pseudo - classicist , he inclines to identify high seriousness in art , something that can only come from the exercise of the ethical ...
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing