Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 78
Sivu 282
... less read since his death than more condensed but less significant critics , and his im- portance has thus tended to be underrated . Yet Hazlitt is easily the most representative critic in English romanticism , and this ...
... less read since his death than more condensed but less significant critics , and his im- portance has thus tended to be underrated . Yet Hazlitt is easily the most representative critic in English romanticism , and this ...
Sivu 364
... less intense is more permanent , and by its greater divergency no less than duration , even more pleasureable.- And how can he hail and celebrate the return of peace more worthily or more appropriately , than by exerting his best ...
... less intense is more permanent , and by its greater divergency no less than duration , even more pleasureable.- And how can he hail and celebrate the return of peace more worthily or more appropriately , than by exerting his best ...
Sivu 596
... less deep , that his vision is less noble or narrower , or that his mastery of his art is less complete than that of the great poets of the past . You can say only that what he achieves he achieves by somewhat different methods . The ...
... less deep , that his vision is less noble or narrower , or that his mastery of his art is less complete than that of the great poets of the past . You can say only that what he achieves he achieves by somewhat different methods . The ...
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing