Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 sivua |
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Tulokset 1 - 3 kokonaismäärästä 85
Sivu 4
... particular and personal mannerisms : he must show the character as it " ought to be , " that is , he must show how a particular type of character would act and feel when subjected to a certain series of incidents . Similarly , classical ...
... particular and personal mannerisms : he must show the character as it " ought to be , " that is , he must show how a particular type of character would act and feel when subjected to a certain series of incidents . Similarly , classical ...
Sivu 345
... particular poems , and to some defects which will probably be found in them . I am sensible that my associations must have some- times been particular instead of general , and that , consequently , giving to things a false im- portance ...
... particular poems , and to some defects which will probably be found in them . I am sensible that my associations must have some- times been particular instead of general , and that , consequently , giving to things a false im- portance ...
Sivu 359
... particular , the concrete , by itself , apart from the form , nor in the universal by itself . Instead , the reality of nature is to be found in a process , or activity , in which the universal and the particular fulfill each other ...
... particular , the concrete , by itself , apart from the form , nor in the universal by itself . Instead , the reality of nature is to be found in a process , or activity , in which the universal and the particular fulfill each other ...
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing