Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 sivua |
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Sivu 35
... poem . All other poets take a single hero , a single period , or an action single indeed , but with a multiplicity of parts . Thus did the author of the Cypria and of the Little Iliad . 4. For this reason the Iliad and the Odyssey each ...
... poem . All other poets take a single hero , a single period , or an action single indeed , but with a multiplicity of parts . Thus did the author of the Cypria and of the Little Iliad . 4. For this reason the Iliad and the Odyssey each ...
Sivu 378
... poem is that species of com- position , which is opposed to works of science , by proposing for its immediate object pleasure , not truth ; and from all other species ( having this object in common with it ) it is discriminated by ...
... poem is that species of com- position , which is opposed to works of science , by proposing for its immediate object pleasure , not truth ; and from all other species ( having this object in common with it ) it is discriminated by ...
Sivu 383
... poem . The one is , that the author has not , in the poem itself , taken sufficient care to preclude from the reader's fancy the disgusting images of ordinary morbid idiocy , which yet it was by no means his intention to represent . He ...
... poem . The one is , that the author has not , in the poem itself , taken sufficient care to preclude from the reader's fancy the disgusting images of ordinary morbid idiocy , which yet it was by no means his intention to represent . He ...
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing