Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 80
Sivu 337
... Reader must neces- sarily be in some degree enlightened , and his affections strengthened and purified . It has been said that each of these Poems has a purpose . Another circumstance must be men- tioned which distinguishes these Poems ...
... Reader must neces- sarily be in some degree enlightened , and his affections strengthened and purified . It has been said that each of these Poems has a purpose . Another circumstance must be men- tioned which distinguishes these Poems ...
Sivu 344
... Reader , those passions , if his Reader's mind be sound and vigorous , should always be accompanied with an overbalance of pleasure . Now the music of harmonious metrical language , the sense of difficulty overcome , and the blind ...
... Reader , those passions , if his Reader's mind be sound and vigorous , should always be accompanied with an overbalance of pleasure . Now the music of harmonious metrical language , the sense of difficulty overcome , and the blind ...
Sivu 346
... Reader then abide , independently , by his own feelings , and , if he finds himself affected , let him not suffer such conjectures to interfere with his pleasure . If an Author , by any single composition , has impressed us with respect ...
... Reader then abide , independently , by his own feelings , and , if he finds himself affected , let him not suffer such conjectures to interfere with his pleasure . If an Author , by any single composition , has impressed us with respect ...
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing