Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - 610 sivua |
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Sivu 319
... truth , and " comes in such a questionable shape , " backed with the appear- ance of an identical proposition , that it would require a long train of facts and labored argu- ments to do away the impression , even if we were sure of the ...
... truth , and " comes in such a questionable shape , " backed with the appear- ance of an identical proposition , that it would require a long train of facts and labored argu- ments to do away the impression , even if we were sure of the ...
Sivu 363
... truth to feeling , by infiltrating its insight into habitual motivations and harmonizing it " with that which is ... truth is formative . " The heart , " as Coleridge wrote in what is perhaps the most profoundly suggestive of his remarks ...
... truth to feeling , by infiltrating its insight into habitual motivations and harmonizing it " with that which is ... truth is formative . " The heart , " as Coleridge wrote in what is perhaps the most profoundly suggestive of his remarks ...
Sivu 461
... truth and the highest culture are out of the question . So immersed are they in practical life , so accustomed to take all their notions from this life and its processes , that they are apt to think that truth and culture themselves can ...
... truth and the highest culture are out of the question . So immersed are they in practical life , so accustomed to take all their notions from this life and its processes , that they are apt to think that truth and culture themselves can ...
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing