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JOHNSON.

From Prologue, spoken by Mr. Garrick
at the opening of the Theatre Royal
Drury Lane, 1747.

WHEN Learning's triumph o'er her barbarous foes
First rear'd the stage, immortal Shakespeare rose;
Each change of many-colour'd life he drew,
Exhausted worlds, and then imagined new:
Existence saw him spurn her bounded reign,
And panting Time toil'd after him in vain.
His powerful strokes presiding Truth impress'd,
And unresisted Passion storm'd the breast.

Then Jonson came, instructed from the school,

To please in method, and invent by rule;
His studious patience and laborious art,
By regular approach assail'd the heart :
Cold approbation gave the lingering bays,

For those who durst not censure, scarce could

praise.

A mortal born, he met the general doom,

But left, like Egypt's kings, a lasting tomb.

The wits of Charles found easier ways to fame, Nor wish'd for Jonson's art, or Shakespeare's flame. Themselves they studied, as they felt they writ;

Shake

speare.

Jonson.

Carolinians.

Intrigue was plot, obscenity was wit.
Vice always found a sympathetic friend;

They pleased their age, and did not aim to mend.
Yet bards like these aspired to lasting praise,
And proudly hoped to pimp in future days.

Their cause was general, their supports were strong,
Their slaves were willing, and their reign was long:
Till Shame regain'd the post that Sense betray'd,
And Virtue call'd Oblivion to her aid.

Then, crush'd by rules, and weaken'd as refined,
For years the power of Tragedy declined;
From bard to bard the frigid caution crept,
Till Declamation roar'd while Passion slept ;
Yet still did Virtue deign the stage to tread,
Philosophy remain'd, though Nature fled.
But forced at length, her ancient reign to quit,
She saw great Faustus lay the ghost of Wit;
Exulting Folly hail'd the joyful day,

And Pantomime and Song confirm'd her sway.

Sidney.

Shakespeare.

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NOR can the Muse the gallant Sidney pass,
The plume of war! with early laurels crown'd,
The lover's myrtle, and the poet's bay.

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Creative fancy, and inspection keen

Through the deep windings of the human heart,
Is not wild Shakespeare thine and Nature's boast?

Is not each great, each amiable Muse
Of classic ages in thy Milton met?
A genius universal as his theme;
Astonishing as Chaos, as the bloom

Of blowing Eden fair, as Heaven sublime!
Nor shall my verse that elder bard forget,
The gentle Spenser, Fancy's pleasing son;
Who, like a copious river, pour'd his song
O'er all the mazes of enchanted ground:
Nor thee, his ancient master, laughing sage,
Chaucer, whose native manners-painting verse,
Well moralized, shines through the gothic cloud
Of time and language o'er thy genius thrown.

From The Castle of Indolence. [1748
A BARD here dwelt, more fat than bard beseems;
Who, void of envy, guile, and lust of gain,
On virtue still, and nature's pleasing themes,
Pour'd forth his unpremeditated strain;
The world forsaking with a calm disdain,
Here laugh'd he careless in his easy seat;
Here quaff'd, encircled with the joyous train,
Oft moralizing sage: his ditty sweet

He loathed much to write, ne cared to repeat.

Milton.

Spenser.

Chaucer.

Thomson.

AKENSIDE.

For a Statue of Chaucer at Woodstock. [1758

SUCH was old Chaucer; such the placid mien
Of him who first with harmony inform'd

The language of our fathers. Here he dwelt
For many a cheerful day. These ancient walls
Have often heard him, while his legends blithe
He sang; of love, or knighthood, or the wiles
Of homely life: through each estate and age,
The fashions and the follies of the world
With cunning hand portraying. Though perchance
From Blenheim's towers, O stranger, thou art come
Glowing with Churchill's trophies; yet in vain
Dost thou applaud them, if thy breast be cold
To him, this other hero; who, in times
Dark and untaught, began with charming verse
To tame the rudeness of his native land.

Shake

speare.

COLLINS.

From Ode to Fear.

O THOU, whose spirit most possess'd'
The sacred seat of Shakespeare's breast!
By all that from the prophet broke,
In thy divine emotions spoke;
Hither again thy fury deal,

Teach me but once like him to feel :
His cypress wreath my meed decree,
And I, O Fear, will dwell with thee!

[1747

From Ode to the Popular Superstitions of the Highlands of Scotland. [1747

NOR need'st thou blush that such false themes

engage

Thy gentle mind, of fairer stores possest; For not alone they touch the village breast, But fill'd in elder time, the historic page.

There, Shakespeare's self with every garland

crown'd,

Flew to those fairy climes his fancy sheen,

In musing hour; his wayward sisters found,
And with their terrors drest the magic scene.
From them he sung, when, 'mid his bold design,
Before the Scot, afflicted, and aghast !

The shadowy kings of Banquo's fated line
Through the dark cave in gloomy pageant pass'd.

Shake

speare.

THEN will I dress once more the faded bower,
Where Jonson sat in Drummond's classic shade.

[1747

From On our late taste in Music.
THE temper of our isle, though cold, is clear;
And such our genius, noble though severe.
Our Shakespeare scorn'd the trifling rules of art,
But knew to conquer and surprise the heart!
In magic chains the captive thought to bind,
And fathom all the depths of human kind !

[1743

From Epistle to Sir Thos. Hanmer.
BUT Heaven, still various in its works, decreed
The perfect boast of time should last succeed.
The beauteous union must appear at length,
Of Tuscan fancy, and Athenian strength:

Jonson and
Drummond

Shake

speare.

Shake

speare.

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