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Se Emitted into this volume: Scaligcr, Casaubon, and Dan. Heinsius, have lest more notes upon it in proportion than upon any of the other Idylliums. Creech has done it into English; but the spirit is enporated, and nothing remains but a aput mortuum. Dryden generally improves and expatiates upon my subject that is ludicrous, and therefore the tenor us his translation will be found very different. The list Sve lines in Greek he has expanded into fourteen.

IDYLLIUM XXVIII.

THE DISTAFF.

AXOVMZHT.

TaioctiTcs, going to visit his friend Nieias, the Milesian physician, to whom he has addressed the nth >cd 13th Idylliums, carries an ivory dillass as a present for Theugenis, his friend's wife, and ccompanic* it with these verses, in which he modestly commends the matron's industry and virtue.

accompanies

0 msT»rr, friend to warp and woof,
Mœerva's gift in man's behoof,
W*hcm careful housewives still retain,
And gather to their household's gain;
With me repair, no vulgar prize,
Where the fam'd towers of Nileus rife,
Where Cytherea's swaysul power
liwerflupp'd in the reedy bower.
Thither, would Jove kind breezes fend,

1 leer my course to meet my friend,
Rdif, the graces' honour'd child,
Aecn'd with sweet persuasion mild;
Ttsc 1 ha kindness may requite,
May he delighted, and delight.
Thee, rvery dislass I provide,

A prefec: for hi* blooming bride.
Wit her thou wilt sweet toil partake,
And aad her various vests to make.
Far Theugenis, the shepherds shear
The uVecp's soft fleeces twice a.ycar.

NOTES ON IDYLLIUM XXVIII.

Ver. 6. That if, Miletus, a famous city of Ionia, hrbg south of the river M zander on the sea-coast, k wu founded, according to Strabo, by Nilius the fed of Codrus, king of Athens, when he first sct•eA in that part os Asia. See Universal History. The sine garments made of Milesian wool were is great esteem with the Roman ladies: Horace has, * Mileti textam chlamydem," B. I. Ep. 17. azd " Virgil, Milcsia vcllera," Geor. 3.

Ver. is- Syracuse, once the metropolis of all Stuly, lad a most flourifljirg commonwealth, wa«,

So dearly industry she loves,
And all that wisdom puints approves.
I ne'er design'd to bear thee hence
To the dull house of indolence:
For m tliat city thou wert sram'd
Which Archias built, Corinthian fam'd,
Fair Syracuse, Sicilia's pride,
Where troops of famous men abide.
Dwell thou with him whose art can cure
Each dire disease that men endure;
Thee to Miletus now 1 give,
Where pleasure.crown'd Ionians live,
That Theugenis by thee may gain
Fair honour with the female train;
And thou renew within her breast
Remembrance of her muse-charm'd guest.
Admiring thee, each maid will call
The savour great, the present small;
For love the smallest gift commends;
All things are valued by our friends.

3*

according to Tully, the greatest and most wealthy of all the cities possessed by the Greeks. Thucydides equals it to Athens, when that city was at the height of its glory; and Strabo calls it one of the most famous cities of the world for its advantageous situation, the statclincss of its buildings, and the immense wealth os its inhabitants. It was built by Archias, one of the Hcraclidz, who came from Curinth into Sicily, in the second year of the eleventh Olympiad. Univ. Hist. Ver. 38. Inest sua gratia parvii.

ID YLLIUM XXIX.

THE MISTRESS.

THE AROUMHNT.

THIS ii an expostulation with bit mistress for her inconstancy in love. In the original it is called TldiM. I have taken the liberty to make a change in the application of it, which render) it far more obvious aud natural.

lovely maid, and truth agree;
I'm mellow—learn this truth from me;
And hear my secret thoughts; " 1 find,
"You love me not with all your mind."
Your beauty life and vigour gives,
In you my half existence lives;
The other half has sadly sped,
The other half, alas! is dead.
Whene'er you smile auspicious lore,
I'm happy as the gods above;
Whene'er your frowns displeasure show,
I'm wretched as the fiends below.
Sure *tis unmeet with cold disdain
To torture thus a love sick swain:

tut could my words your thoughts engage,
aperience is the boast of age,
Take c unsel, and when crown'd with store
Of blessings, then you'll praise me more.

"Build in one tree a single nest,
"Which no curst reptile can infest."
Fond and unfix'd you wander now •
From tree to tree, from bough to bough.
If any youth your charms commends
You rank him with your faithful friends,
Your first true lovers set aside;
This looks like vanity and pride.
Would you live long and happy too,
Love some kind equal that loves you.
This will esteem and favour gain,
Such love will never give you pain;
This wins all hearts, and will controul
The stubborn temper of my loul.
If with my counsel you agree.
Give me sweet kisses for my fee.

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Venus orders the Cupids to bring the boar that had slain Adonis before her: she severely upbraids him with his crime, but being satisfied that it was accidentally done, she' orders him to be releases. The measure of the vetse is Anacreontic.

When Venus saw Adonis dead, And from his cheeks the roses fled, , His lovely locks distain'd with gore: She bade her Cupids bring the boar,

The boar that had her lover slain.

The cat.fe of all her grief and pain.
Swift as the pinion'd birds they rove
Through every wood, through every grovey

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NOTES ON IDYLLIUM XXX.

This little poem is a fine imitation of Anacreon:

Tteoentas bad before, in his nineteenth Idyllium,

tasjied -hit doHcate master in every thing but the

saesiare of his verse. Bion has a most beautiful

liyfea co the fame subject. Longcpierre says of tins 04e of Theocritus, " Cette petite piece "a'j trijours paru si jolie, que je croy qu'on me *■ ronsorscra eiitment si j'en donne icy une tra

- CJK&CB."

Ver. 14. Thus Ulysses drives the horses of Kheaus with bis bow, H. B. 10.

LTyffrs now the snowy steeds detains,

Aei leads them, faslen'd by the silver reins;

THE

EPIGRAMS OF THEOCRITUS.

« No; but with love and frenzy warm,
'(So far has beauty power to charm!)
'I long'd, this crime I'll not deny ,
'To kiss that fair, that naked thigh.
■ These tufles then punish, if you please,
'These are offenders, draw out these.
'Of no more use they now can prove
'To me, the votaries of love!
'My guilty lips, if not content,
'My lips fliall (hare the punishment,*
These words, so movingly exprest,
Infus'd soft pity in her breast;
The queen relented at his plea,
And bade her Cupids set him free:
But from that day he join'd her train,
Nor to the woods rcturn'd again:
And all those teeth he burnt with fire,
Which glow'd before with keen desire.

«*

These, with his bow unbent, he Iafh'd along.

Toft.

Ver. as,. Thus Sinon in Virgil,

Vos, zterni ignes, &c.

You, the eternal splendours, he exclaims,
And you divine inviolable flames,
Ye fatal swords, and altars, which I sled,
Ye wreaths which circled this devoted head;
All, all attest.

PUt.

'Ver. 45. The Greek is, E.m mi t{«raf, txujsit amoru. i. e. anatorioi dentet.

t Of-rlngi U lit M's't and As oil:

Tstis wild thyme, and these roses, moist with

dews, ,

Are (acred to the Heliconian Muse ,
The bay, Apollo, with dark leaves is thine;
Ttcs art thou honour'd at the Delphic shrine;
kai. there to tbee this (hagg'd he-goat I vow,
1 tat loves to crop the pine-tree's pendant bough.

II. An OJstring H Pan.

Daraais the fair, who with bucolic song,

Acs) pastoral pipccould charm tbelistening throng,

To Pan presents these emblems of his art,
A fawn's soft (kin, a crook, andpointed dart,
Three rural pipes, adapted to His lip,
And for his homely food a leathern scrip.

III. To Dafbnii Sloping.

On earth's soft lap, with leafy honours spread,
You, Daphnis, lull to rest your weary head:
While on the hill your snares for birds are laid,
Pan hunts your footsteps in the secret (hade.
And rude Priapus, on whose temples wave v<

Gold ivy's leaves, resolv'd to find your cave:
Ah ! fly these revellers, at distance keep,
And instant burst the silken band, of sleep.

IV. A Vow to Priapui.

Ir by those oalti with roving step you winj.
An image fresh of fig-tree form'd you'll find;
Though cloth'd with bark, three legg'd and void
of ears,

Prompt for the pranks of pleasure he appears
Springs gush perennial from the rocky hill, 5
And round the grotcoroll their sparkling rill:
Green myrtles, bays, and cypress sweet abound,
And vines diffuse their circling arms around.
^The vernal ousels their shrill notes prolong,
And modulate the loudly varied song; lo
Sweet nightingales in soft-opponent strain,
Perch'd on the spray melodiously complain.
Repose you there, and to Priapus pray,
That Daphne may no more my bosom sway:
Grant this, a goat shall at his altar bleed; 15
But if I gain the maid, three victims are decreed;
A stall-fed lamb, a goat, and heifer fair:
Thus may the god propitious hear my prayer.

V. The Concert.

Sat wilt thou warble to thy double flute,

And make its melody thy music suit?

Then, by the nymph: I swear, I'll snatch the quill,

And on the rural lyre essay my skill:

The herdsman, Daphnis, on his reed shall play, 5

Whose sprightly numbers make the shepherds gay,

Fast by yon rugged oak our stand, w e'U keep,

And rub th' Arcadian deity of sleep.

VI. Thyrsi, has lost hi, Kid.

What profit gain you, wretched Thyrsis, fay,

Thus, thus to weep and languish life away!

Lost is your favourite kid: the wolf has tore

Hit tender limbs, and feasted on his gore;

Your very dogs exclaim, and cry, " What gain, 5

* When neither bones, nor ashes now remain!" t

VII. On the Statue of Æsculaphu. At fam'J Miletus Pxon'sfon the wise Arriv'd, with learned Nicias to advise, Who to his shrine with daily offerings came, And rais'd this cedar statue to his fame; The cedar statue by Ection wrought, j Illustrious artist! for large sums he bought; The work is sinifh'd to the owner's will, For here the sculptor lavish'd all his skill.

VIII. Ortbom'i Epitaph. To every toping traveller that lives, Orthon of Syracuse this warning gives, With wine o'crhratid, and de;>riv'd of light, Forbear to travel on a winter's night; This was my fate, and for my native land J I now lie buried on a foreign strand.

IX. On tie Fate of Clecnicui,

O Stiancer I spare thy life so short and frail,
Nor, but when times are seasonable, fail.
Poor Cleonicus, innocent of guile,
j-rom Syria hasten'd to rich Thasos' isle;

The Pleiads funk as he approach'd the shore; 5 With them he funk, to rife, alas! no more.

X. On a Monument EreCled to the\Mufei.

Hfrf. Xenocles hath rais'd this marble flirine,
Skill'd in sweet music to the tuneful nine:
He from his art acquires immortal fame,
Aud grateful owns the fountain whence it came.

XI. Epitaph on Eustbenes the Physiognomist.

To Eusthenes, the first in wisdom's list,
Philosopher and physiognomist,
This tomb is rais'd : he from the eye could scan
The cover'd thought, and read the very man.
By strangers was his decent bier adorn'd, 5
By strangers honour'd, arid by poets mourn'd:
Whate'er the sophist merited he gain'd,
And dead, a grave in foreign realms obtain'd.

XII. On a Tripod dedicated to Baccbut,by Demttelei.

Demoteles, who near this sacred shrine

This tripod plac'd, wi th thee, O god »f wine!

Whom blithest of the deities we call,

In all things prov'd, was temperate in all;

In manly dance the victory he gain'd, J

And fair the tenor of his life maintain'd.

XIII. On the Image of tbe Heavenly Venue.

Here Venus, not the vulgar,you surrey;
Style her celestial, and your offering pay:
This in the house of Amphides was plac'd,
Fair present of Chrysogona the chaste:
With him a sweet and social life she led, j
And many children bore, and many bred.
Favour'd by thee, O venerable fair,
Each year improv'd upon the happy pair;
for long as men the deities adore,
With large abundance heav'n augments their
store. 10

XIV. Epitaph on Eurymedon,

Dead in thy prime, this tomb contains,

Eurymedon, thy dear remains;

Thou, now wi'h pious men enfhrin'd,

Hast Use an infant heir behind;

The state due care of him will take, * £

And love him for his father's fake.

XV. On the fame.

O TRAVELLER, I wifll tO knOW

If you au equal praise bestow

On men of honourable same,

Or to poltroons you give the fame:

Then '• rair belal this tomb," you'll cry, $

As oft you pass attentive by,

"Eurymedon, alas! is dead;

"Light lie the stone upon his head."

XVI. On Anacreons Statue.

With curious eye, O traveller, survey
This statue's form, and homc^rcturning fay,

* At Tee* lite with infinite regard,

■ I (aar the image of the sweetest bard,

• AnacreoD; who. if ancient poets claim 5 L The meed of praise, deserves immortal fame;" Add thi*; " He lov'd (for thi* with truth you can)

■ The fair, the gay, the young," you'll paint the

very roan,

XVII. On Efutttnm. Tit style is Doric: Epicharmui he, The poet who invented comedy: This statue, Bacchus, sacred (lands to you; Accept a brazen image for the true. The fioiib'd form at Syracuse is plac'd, j And as is meet, with lasting honours grac'd. Far fam'd for wisdom, the preceptive bard Taajtht those who gave the merited reward; Much praise he gains who form'd ingenuous youth. And sliow'd the paths to virtue, and to truth. 10

XVIII. Epstapb on Clita, tbe Nurse of Medeus.

Misius rais'd, inspir'd by grateful pride,
This tomb to Cliti by the high way fide:
Ve still commend her for her fostering care;
And praise the matron when we praise the heir.

XIX. On Arcbiloebus.

AicaitocHus, that ancient bard, behold!
Arm'd with his own iambics keen and bold;

Whose living fame with rapid course has run
Forth from the rising to the setting sun.
The muses much their darling son approv'd, $
The muses much, and much Apollo lov'd:
So terse his style, so regular his fire,
Composing verse to suit his founding lyre.

XX. On the Statue of Plfsnder, ivbo wrote a Poem styled, Tbe Labours of Hercules,

This statue fam'd Pisander's worth rewards,

Born at Camirus, first of famous bards

Who fung of Hercules, the son of Jove,

How with the lion he victorious strove,

And all the labours of this hero bold <

The faithful bard in lofty numbers told.

The state regardful of the poet's name,

Hath rais'd this brazen statue to his fame.

XXI. Epitapb on tbe Poet Hipponax.

Old Hipponax the satirist lies here;
If thou'rt a worthless wretch, approach not near:
But if well bred, and from all evil pure,
Repose with confidence, and sleep secure.

XXII. Tbeocritus on bis own Works.

A Stracvsian born, no right I claim

To Chios, and Theocritm my name:

Praxagoras' and fam'd Philina's son;

All praise I scorn'd but what my numbers won.

NOTES ON THE EPIGRAMS.

These epigrams were never translated into Ingiisli before. The six that first present themfe+»e», are a tine model of the rustic sweetness, ed delicate simplicity as the ancient Greek epi

HSsSS •

L Ver- 2. That the rose was consecrated to the Moses, appears from Anacreon, Ode J 3. x't'"

lo fabled song, and tuneful lays, Their favourite rose the Muses praise.

And Sappho, Frag. 2. Tat thy rude hand ne'er pluek'd the lovely rose, That on the mountain of Pieria blows. F. F.

Vet. $. Virgil and Horace have something sirilar.

IUius aram

tzpe tener nostria ab ovilibus imbuit agnus.

Pel. I.

ret im album Libcro caprum. B. 3. Ode 8.

II Ver. I. This Daphnis was probably the fun •T Mercury, the fame whose story is fung in the frit Idyllium. Diodorus Siculus supposes him to - the author of bucolic poetry; and, agreeable to has, Theon, an old Scholiast on Theocritus, in his ;ote on the first Idylhum, ver. 141. mentioning japhois, fays. Kjtit wprit ivfmro BuxoXtxu, Inasnath a* he wu the luventerot bucolics : however 4

that be, probably this Daphnis was the first subject of bucolic songs.

III. Ver. 6. The Greek is,unmn mrm. This is probably the pollens, or alba bederas of Virgil, on which Dr. Martyn observes (fee his notes on Eel. 7. ver. 38.), it is most likely that fort of ivy with yellow berries, which was used in the garlands with which poets used to be crowned, and Eel. 8. ver. 13. The poetical ivy is that sort with golden berries, Or bedera bocsls aure'ts.

IV. Ver. 2. The ancients often hewed the image of Priapus out of a fig-tree.

Olim truncus cram ficulnus, &c. Her. Sat. 8. B. I.

Ver. 14. I have taken the liberty to address this Epigram to Daphne, instead of Daphnis, fuellts et non pajleri.

Ver. Ij. Here I follow the ingenious interpretation of Dan. Heinsius.

V. Ver. 8. In the first Idyllium, the shepherds are afraid of disturbing the Arcadian god's repose. See ver. 20.

VII. Ver. I. Æsculapius, the son of Apollo, was called Pæon or n /.-.«, because of his art in assuaging and curing diseases.

VIII. Ver. s- I here follow the ingenious emendation of Heinsius.

IX. In all the editions of Theocritus in the orn ginal, there, i, only the first distich of this Epi

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