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Thi glitt'ring ore let other* vainly heap,
O'er fertile vales extend th' enclosing mound:

With dread of neighb'ring foes forsake their sleep,
And start aghast at ev'ry trumpet's found.

Me humbler scenes delight, and calmer days;

A tranquil life fair poverty secure! Then boast, my hearth, a small hut cheerful blaze,

And riches grasp who will, let me be poor.

Nor yet be hope a stranger to my door,

But o'er my roof, bright goddess, still preside! lo

With many a bounteous autumn heap my floor,
And swell my vats with must, a purple tide.

My tender vines I'll plant with early care,
And choicest apples, with a skilful hand;

Nor blush, a rustic, oft to guide the share,
Or goad the tardy ox along the land.

Let me a simple swain, with honest pride,
If chance a lambkin from its dam should roam,

Or sportful kid, the little wanderer chide,
And in my bosom bear exulting home. 30

Here Pales I bedew with milky show'rs,
Lustrations yearly for my shepherd pay,

Revere eacti antique stone bedeck'd with flow'rs,
That bounds the field, or points the doubtful way.

My grateful fruits, the earliest of the year,
Before the rural god shall duly wait.

From Ceres' gifts I'll cull each browner ear,
And hang a whesten wreath before her gate.

The ruddy god shall save my fruit from stealth, And far away each little plunderer scare: 30

And you, the guardians once of ampler wealth, My household gods, shall still my offerings share.

My num'rous herd*, that wanton'd o'er the mead,

The choicest fatling then could richly yield; Now scarce I spare a little lamb to bleed

A mighty victim for my scanty field. And yet a lamb shall bleed, while, rang'd around,

The village youths shall stand in order meet, With rustic hymn-, ye god?, your praise resound,

And suture crops and future wines entreat. 40

Then come, ye pow'rs, nor scorn my frugal board,
Nor yet the gifts clean earthen bowls convey;

With these the first of men the gods ador'd,
And form'd their simple shape of ductile clay.

My little flock, ye wolves, ye robbers, spare,
Too mean a plunder to deserve your toil;

For wealthier herds the nightly theft prepare;
There seek a nobler prey, antl richer spoil.

For treafur'd wealth, nor stores of golden wheat, The hoard of frugal sires, I vainly call; 50

A little farm be mine, a cottage neat

And wonted couch where balmy sleep may fall.

"What joy to hear the tempest howl in vain, "And clasp a fearful mistress to my breast:

"Or lull'd to slumber by the beating rain,
"Secure and happy sink at last to rest."

These joys be mine !—O grant me only these,
And give to others bags of shining gold,

Whose steely heart can brave the boist'rous seas.
The storm wide-wasting, or the st iff 'ning cold. 60

Content with little, I would rather stay

ThaJi spend long months amid the wat'ry waste:

In cooling shades elude the scorching ray

Beside some fountain's gliding waters plac'd.

O perish rather all that's rich and rare,
The diamond quarry, and the golden vein,

Than that my absence cost one precious tear,
Or give some gentle maid a moment's pain.

With glitt'ring spoils, Messala, gild thy dome,
Be thine the noble talk to lead the brave:

A lovely foe me captive holds at home, 71
Chain'd to her scornful gate, a watchful slave.

Inglorious post !—And yet I heed not fame:
Th' applause of crowds for Delia I'd resign:

To live with thee I'd bear the coward's name,
Nor 'midst the scorn of nations once repine.

Witb thee to live I'd mock the ploughman's toil,
Or on some lonely mountain tend my sheep;

Ac night I'd lay me on the flinty soil,

And happy 'midst thy dear embraces sleep. 80

What drooping lover heeds the Tyrian bed,
While the long night is pafs'd with many a sigh:

Nor softest down with richest carpets spread.
Nor whisp'ring rills, can close the weeping eye.

Of threefold iron were his rugged frame,

Who when he might thy yielding heart obtain,

Could yet attend the calls of empty fame,
Or follow arms in quest of sordid gain.

Unenvy'd let him drive the vanquished host,
Thro' captive lands his conquering armies lead;

Unenvy'd wear the robe with gold imboss'd, 90
Aud guide with solemn state his foaming steed.

O may I view thee with life's parting ray,
And thy dear hand with dying ardor press:

Sure thou wilt weep—and on thy lover's clay.
With breaking heart, print many a tender kiss;

Sure thou wilt weep—and woes unutter'd feel,
When on the pile thou scest thy lover laid!

For well I know, nor flint, nor ruthless steel,
Can arm the breast of such a gentle maid. IOO

From the sad pomp, what youth, what pitying
Returning slow can tender tears refrain f [fair,

O Delia, spare thy cheeks, thy tresses spare,
Nor give my ling'ring shade a world os pain.

But now while smiling hours the fates bestow.
Let love, dear maid, our gentle hearts unite!

Soon death will come and strike the fatal bow; Unseen his head, and veil'd in shades of night.

Soon creeping age will bew the lover's frame, And tear the myrtle chaplet from his brow:

With hoary locks ill suits the youthful flame, III The soft persuasion, or the ardent vow.

Now the fair queen of gay desire ii ours,
And lends our follies an indulgent smile:

Tis lavish youth's t' enjoy the frolic hours.
The wanton revel and the midnight broil.

Your chief, my friends, and fellow-soldier, I
To these light wars will lead you boldly oc:

Far hence ye trumpets found and banners dr: To those who covet wounds and fame Is. gone. ut

And bear them fame and wounds; and riches Ik:-; There are that fame and wouuds aod rida prize.

For me, while I possess one plenteous year, I'll wealth and meagre wane alike despite.

NOTES ON ELEGY I.

In this beautiful elegy, Tibullus prefers the retirements of a country life, with Delia and a moderate income, to all the honours of war and splendors of fortune.

According to Scaligcr, this elegy, though placed the first in the book, was written, in order of time, the last of those inscribed to Delia. The poem itself, however, gives no sanction to this opinion.

Ver. ». There is a great dispute among editors, whether the original of this line should be read,

Et teneat culti jugera multa soli:
Or,

Et teneat culti jugera magna soli:

The first, however, is the preferable reading, being best supported by MSS. Besides, had it been destitute of that authority, it would still merit that distinction, as Tibullus must either have been unacquainted with agriculture (every Roman acre being two hundred and forty feet long, and as many broad), had he applied magna to acres; or have used a superfluous epithet. Pulp.

But Broekhufius, although he reads multa, has yet proved, that Tally and Valerius Flaccus have used that adjective at least once in the sense of mag ma<

Ver. 6. The word pauftrtai in the original fig. nifies, a mediocrity of fortune; for so Porphyrio interprets it in his Commentary on Horace, L. ii. Ep. 5. And, indeed, it is evident from Cicero, that this was the meaning imposed upon paupertat in the Augustan age. From this word, then, those who maintain, that our poet had spent his estate, and was obliged to retire to the country, can derive no support; as indeed the whole of this elegy contradicts that assertion.

Almost all the commentators on Tibullus have

observed, that he abounds in alliteration!, a give the original of this line as an instance «; Me mea paupertas, &c.

Nor is Tibullus singular in this; the bed «a and orator 9 of the Augustan age were fondof::=, and hence these gentlemen conclude, contra' the opinion of many of the moderns, distil* rations are beautiful in poetry. A spam; of them, no doubt, adds to the melody of æ bers; accordingly Pope, and the belt Euguft^' practise alliteration.

Though Pontanus and others have wro.-!^ on the subject of alliteration, they hate attempted to give a reason for its pleasing tis* When the fame letters begin succeeding these run more smoothly off the tongue, «" organs of speech are subjected to a smaller cfusr; in pronouncing them. Other causes may p»w be assigned, but this appears to be the prinrisii

Ver. 7. The original of this line is Viriastl read by the annotators.

Dum ra'eus assiduo luceat igne focus

is maintained by Broekhufius, &c. while ScaE;'

and others substitute exigao in the room of rjoit;

both readings are supported by MS. aaibonn.

that, however os Scaliger's is retained as the a^S

poetical.

Ver. 9. The goddess Hope bad many tosfa and public gardens at Rome, for which the rearf may consult Alexander Donatus, L. t. Rom* C 9. L. a. C. 15. L. 3. C. 13, 18,13.

Boissard has given an elegant figure of the/j' rujlira, T. 4. Ant. P. 139.

Ver. 17. Calphurnius, a Sicilian poet off*: merit, has a good natured precept somewhat Si lar to this thought of our poet's* Te quoque non pudent, cum ferns ovilia nfe, Siquajacebit ovis partu rcsoluta retciiU,

hnc humeris portare tuis, natosque repenti 'erre fiau trcnmlos, et nondum stare paratos.

Eel. v. ver. 39.

Humanity to brute creaturei is the certain indiition of a good mind, bee an excellent paper

11 this subject in the Adventurer. Ver. al. Pales was the goddess of shepherds; ime called her Magna Mater, and othcr» Vesta, he festival instituted in her honour obtained the imc of Palilia, or Parilia, and was celebrated on e eleventh or twclth of the cilend* of May, the ly that Rome was supposed to have been sound1. At this solemnity the shepherd*, leaping o:r bonfires of straw, &c. placed at regular disinces, offered to their goddess milk and cakes of lillet for the health of their 6ock«. This cereiony is thus described by Ovid in that wouder1 effort of poetical genius his Fasti.

istor, oves saturas ad prima crepuscula lustra, Uda priusspargat, virgaque vertat humum. 'ondibus, et Axis decorentur ovilia ramia: Et tci.it oroatas longa corona fores, zralcitiant vivo dc Suphure fumi; Tactaque fumanti sulphurc balet Ovis. lit maris rorcs, txdamque, herbasque sabinai; £t crepet in mediis lautus adusta focis. baque de Milio Milii fiscella sequatur: Kustica præcique quo dea lecta cibo est. Ide dapes, mulctramque sua»: dapibusque resectis

Silvicolam tepido lacte precare palen.

nsnle, die, pecori pariter, pecorisque magislris:

Effugiat stabulis noxa repulsa mcis.

L. iv. v. 735.

Thus we fee that the fumigations used upon • occasion were sovereign for diseases of the

a.

Ver. M. The original of this line has greatly tiled the commentators: some os them underfiding by" Pasiorem meum," Pan, and others, ApoUo nomius." The true interpretation, how:r, seems to be that which is given in the transion. See notes to £1. v. b. 1. Ver. 13. We fee from this passage, that a kind adoration was paid to a stone, or a trunk of a -, which divided the Roman lands. They peried them with essences, crowned them with vers, and sacrificed round them in the month February. They were shaped into odd figures, i called " Panes Agrestes;" as those which nted out the road had the name os" Compitabestowed on them.

she god Terminus of the Latins, or Jim he Greeks, had no animals sacrificed to him; luse, as Plutaich observes in his Vvpuixii, he vented broils, and of course bloodshed, among ghboura.

ly the laws of Nu.ua, if any person drove his Jgh into his neighbour's field, both he and his n were accursed.

According to Arnobius, the Arabians and Pef■ntians paid divine worship to shapeless untied stones; and if Regnard is to be credited, Laplander! at this, day deify any large stone

they meet with, provided it has any thing extraordinary in its figure. These people probably have neither painters nor statuaries among them.

Ver. »6. Commentators are not a little divided in their opinions, who the, " Dcus Agricola" of the original was. According to Broekhusius the poet meant Vertumnus; and, it must b< confessed, the husband of Pomona has a better right to thia place than any other of the sylvan gods, whom the critics have recommended. See a beautiful description of this ancient Tuscan deity in Propertius, Lib. iv. El. 2.

Ver. 29. For Pri;>pus, any of the common books of mythology may be consulted.

Ver. 30. Gebhardu's, on MS. authority, (for what absurdities have not librarians committed reads,

Terreat ut fexvas falce Priapes aves.

Which he interprets by birds of bad omen; not reflecting, that birds of good omen were no less destructive to fine fruit (the keeping of which was the province particularly assigned to Priapus), than his " aves sinistræ."

Ver. 31. The Lares were the offspring of the nymph Lara, whom Mercury ravished as he was conducting her to the Stygian lake, whither Jupiter bad banished her for blabbing his amours.

Fitquc gravis, Geminofque parit qui compita servant,

Et vigiles nostra semper in Æde Lares.

Fast.

They therefore had worship paid them in the houses, particularly of husbandmen and in the highways; and their festival was called " Compitalitii, Compitalitia," or " >Compitalia." At these, the images of men and women made of wool were suspended, with as many balls also of wool, as there were slaves in the family, and as many " simulacra perfecta" as there were children. By this hanging in effigy, the ancients imagined, the Lares would be bribed (so true is it, that tear ia the parent of Polytheism) to spare the living.

These deities were made of wood, stone, or marble, according to the wealth or superstition of the votary; and were either public or private. The former were those that watched over the safety of the whole, while the private only superintended a family. Both were clothed in a dog's skin, and sometimes had the head of a dog clapped upon human shoulders. Their common figure, however, was a grotesque " caricatura" of a man's countenance. Vid. Boxhorn's Quest. Romans, P. 31. The place where the household gods stood was called Lararium. At first the only offerings made them were fruits, wine, and frankincense, but in time both lambs and hogs were sacrificed to them. They generally wore a chaplet of Sowers; and when young gentlemen put on the "toga virilis" they dedicated to them their "bullx;"

Bullaque fuccinctis laribus donata pependit.

Ver. 41. This simplicity in the worship of the gods, which Numa introduced, and which suited the poverty of the primæval times, continued in practice till Paganism was lost in Christianity.

Vid. Valcr. JVfaxim. L. iv. C. 4. at the end. Ver. 51 Scaliger reads,

et solo membra levare toro.

Supposing that our poet had only one bed lest him, fc Solum sibi superesse torum." But however exactly this circumstance may correspond with many of the modern inhabitants of Parnassus, yet the whole of this elegy shows, that our Roman knight was by no means io reduced; and indeed, as Brockhusius remarks, all the MSS. and bell editions, read,

Solito membra levare toro.

Not a casual bed. such as campaigners must often put up with, but an accustomed fixed place of rest; such as the poet of Verona describes in the following beautiful lines, addressed, upon his return from Bithynia, to the Peninsula Sirmio, on which he bad a villa.

O quid solutis est heatius curls?

Quum mens onus repunit, ac peregrino

Lahore fessi venimus larem ad nostrum,

Desideratoque adquiesetmus leclo.

Hoc est, quod unum est,.quo laborious tantise.

Cut. Carm, 29.

Those only can perct ive the full force of this observation who have experienced it. Ovid, in his banishment, knew and lamented the want os a " conluetuslcctus."

Non hie in nostris, ut quondam scribimns hortis, Ncc consucte meum lectule corpus habes.

Tri/I. L. i. El. 10.

And again,

Tarn procul ignotis igitur moriemur in oris,

Et sient ipso trillia fata loco?
Nec mta consucto langucscent corpora locto?

Depositum ncc me, qui fleat, u lus erit >

Tri/1. L. iii. El. 3. BrottbusuU.

Quam yuvat, IsV] The translate r finding this paslage so well rendered by the late Mr. Hammond, has taken the liberty to adopt it. The commentators fay, that Tibullus borrowed this thought of rain assisting dumber from Sophocles; but could not our poet have observed, that rain, falling on the roof of a house, would compose to sleep, without having been obliged to that tragic poet for the observation? Antonius Musa, who did such honour to physic at Rome, cured Mæcenas of a three years watchfulness by the falling of water; and physicians at this day experience the soporific qualities of such a device; or of the sea breaking at a distance upon the shoreVer. 60. After the original of this line, Scaliger and Broekbusius place,

Quern labor assiduus vicino terreat hoste:
Martia cui somnos classica pulse fugent.

Which they explain by the extraordinary duties, especially in the night time, that soldiers undergo

in the neighbourhood of an enemy. It molt V owned, that these lines fall in here very D«ir„ ly ; yet, as most editions rank them immcdii:-: after,

Et teneat culti jugera multa soli. lit:

my friend has translated them in that place.

Ver. 6t. The original of this line greatly p<* plexed the critics, till Joannes Brodæus fittt s;» that a second " non" before u contentu*" wanting. Manmius, in his commentary on C> eero's Familiar Epistles, and Muritos, in his US Var. lj, 10. produce many instances of this of writing from the best antiquity. &afcl

Ver. 63. In this, and some of the follova stanzas, Tibullus represents that secure met;-. i ty of a country life, which innocence of miedt):stows only on those, who live according folk laws of nature. " Neque enimfaeiie " adds Brat hufius, 11 impurus quivis folitudini fe commit', sub arborum umbra somnulum captures in imj grai-iinc. Hxrct intus fempiterna sceicrum c" • mala conscientia.

Non siculse dapes

Oulccm elaborabunt seporem, &c.

Lii.rn.Dil

Nor dainties force his pall'd desire,
Nor chant of birds, nor vocal lyre,

To him can steep afford;
Heart soothing sleep, which not disdains
The rural lot, or humbler swains,

And shady river-, fair;
Or Tenipe's ever-blooming spring,
Where zephyrs wave the balmy wing,

And fan the buxom air. fmi

"Ut praeclarc Horatius nosier, ille opuasii certifsimus vivendi magister. Hanc sibi t&Tf vendi rationem sequendam Tibullus props!, iquiflimo animo relinquens beatz fumum ettpi strepitumqtie Romx, qua quidem vita tikis* venientius sepientix studiosis, et muserum uco* tibus, bonxque mentis candidatis." Butties nion of Uroekhusius may be disputed; for,tW a country solitude is necessary for the perftfei works of genius, yet the town is the bed ferns' for those who would excel in description) oi 'b> man life.

Ver. 69. Mtjula.] This great soldier, patriot i'J critic (of whom so much has been said in Tik-» lus's Life) was in a hijrh degree of favour »'■■ Tully; and though Mæcenas has been w" praised by the poets than Messala, the historic show us, that our poet's friend was both a gru'3 and better man than the favourite of Augut* See the notes to El. 3. and El. 8. of the first boi

If the authority of Virgil is to be depend upon, the Romans derived the custom of si*5, ing their houscs'with hostile spoils from tit » motest antiquity. Æn. 7. ver. 183. And faded': is natural to imagine, where the tradition ii& chief spring from which the first unlettered tions drew their knowledge of past events, & these marks of conquest were the bell aothoril for the oral historian.

"When a Roman sold a house adorned with lostile spoils, either won by himself or his anceforn, the purchaser was not permitted to avail limsels us the honour they bestowed, but obliged o take theM down.

Ver. 81. The person allu'cd to in thi* passage f a> C. S sius, who being Prætor when the civil car broke out, was afterwards sent by M Anhony to command in Syria and Cilicia, when he rst subdued the Aradians; and then Antigonus, aving formerly butchered a Roman garrison fl: d, fterr his defeat, to Jerusalem, which Sosiui s on stcr took ; and using the Jew* with no les* cruelty han avarice, he beltowcd their kingdom on Heod of As«.alon Neither did Antigonus escape the onqueror, who not only whipped, but crucified r.tl beheaded him. These act ons of barbarity, lthough they dilgrace victors, yet prncure Soflus he honour of a triumphal Rome, A. IT C. 719.

Brozlhustui.

Ver. 89. We fee, from this instance and many ucK occur in our poet), that elegy, as well as c<>nedy, sometimes ruses her vuicc ; and if sibullus's panegyric had not come down to us, critics, no doubt, would have hence corj-ctured, that his genius was no less suited to the lusty than the tender subjects of poesy

Ver 93. rhil pathetic circumstance Ovid has Lpplicd to Nemesis in his fine elegy on the death >f our poet.

Ver. 98 For the funerals of the ancients, fee jotes to LI ii. book 3

Of all the methedt practise d by different nations n their dilpcsal of the dead, the custom of the Caatian Indians, as Herodotus relates it, is the most extraordinary. Darius, fay* that elegant historian, having one day asked lomc of hts Grecian subjects, what sum would induce them to cat their deceased parents (fcac wttTlfmi atrstmrKttrat KaratiTttffSxA, they instantly rej lied, that no biihe should ever make them do so horrid an actii n. Upon this, the fame monarch, in the presence of the Greeks too, demanding, by an interpreter of some Calatian Indians, how much money they would rake not po eat, for that was their custom {it rout yeitae isrcr/iMin)) but to burn their dead parents; he

was entreated, with loud and earnest exclamations, not to compel them to do a deed which for ever must destroy their peace of mind! So justly, adds the historian, does Pindar call custom the sovereign of all. Mfut xKtT»t ixru.ut. Herod. Thai. C. 38.

Ver. 103. Those who indulged an immoderate grief for their deceased friends, were supposed by the ancients to injure their manes, and therefore Cornelia entreats her husband, Paulus the censor.

Define, Pauli, rneum lacrymis urgere jepuicrum.

Proptrt. L.4. E. II.

And I.ucian, in hi? excellent discourse on mourning (veifi TivhutJ, makes a departed youth thus answer the frantic sorrowings of his father, u KonKahatfAVt arfyent Tt xtufttyaf, &c. Unhappy mortal why do y. u thus lament aioud? Why do you cause me so much pain ? Cease to tear your hair and w<und your face, I am far more fortunate than you. Why then do you call me name , and term me wretched

Ver. 104. Turnebus was the first who explained this passage. The poet, though an enemy to ex ravagant grief, expected that Delia would show a tender concern when he died. BroMufius.

Ver. in. That pleasant versifier Malheibe, thus addressee the mules,

Qnand le Sang bouiihnt en mes veines
Jvle donnnit dc j< unes desires
Tantot vous foup riez mes peinei
Tantoi vnuschariticz mes plaisirs:
Mais aujnurahui que mes annees
Vers leur fin s'en vont ternm.cci,
Sercit il bicn a mes ecriti
D' Ennuyer les races sutures
Des ridicules avantures
D't.n Amcurcux en cheveux gris?

The reader may fee the miseries of an old man'r falling in love well described in the elegies commonly imputed t.> Virgil's friend, the famous Cornelius Gallus. These elegies are a modern com. p sition, the work of one Longinus Muiruiaa a physician.

ELEGY II.

Vv^itb wine, more wine, my recent pains deceive,
Till creeping slumber fend a soft reprieve:
Asleep, take heed no whisper stirs the air,
For wak'd, my boy, 1 wake to heart-felt care-
flow is my Delia watch'd by ruthless spies,
And the gate, bolted, all access denies.
Relentless gate! may storms of wind and rain,
\Vith mingled violence avenge my pain!

May forky thonders.hmTd by Jove's red hand,
Purst every bolt, and shatter every band! ]
Ah no! rage turns my brain; the curserecal;
On me, devoted, let the thunder fall!
Then recollect my many wreaths of yore,
How oft you've seen me weep, insensate door (
No longer then our interview delay,
And as you open let 00 noise betray.

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