Dramatic EssaysJ. M. Dent & sons, Limited, 1931 - 299 sivua |
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Tulokset 1 - 3 kokonaismäärästä 41
Sivu x
... drama— " the “ neo - classic drama ” as it is called — was specially marked by structural correctness , respect for decorum , dignity of mode and speech , love of high - flown rhetoric , and strict adherence , in theory at any rate , to ...
... drama— " the “ neo - classic drama ” as it is called — was specially marked by structural correctness , respect for decorum , dignity of mode and speech , love of high - flown rhetoric , and strict adherence , in theory at any rate , to ...
Sivu xi
... drama ( based in theory on the ancient ) com- pare with the romantic drama of the older English stage ? What in turn may be said for and against this romantic drama itself when it is set beside the drama of Dryden's own time ? What is ...
... drama ( based in theory on the ancient ) com- pare with the romantic drama of the older English stage ? What in turn may be said for and against this romantic drama itself when it is set beside the drama of Dryden's own time ? What is ...
Sivu xii
... drama against the classicists ; maintains that with the ancient playwrights poetic justice was imperfectly realised , and points out the deficiency of the classic drama in one im- portant respect - its neglect of love . Lisideius in ...
... drama against the classicists ; maintains that with the ancient playwrights poetic justice was imperfectly realised , and points out the deficiency of the classic drama in one im- portant respect - its neglect of love . Lisideius in ...
Sisältö
EPISTLE DEDICATORY TO THE RIGHT HONOURABLE CHARLES LORD | 1 |
A DEFENCE OF AN ESSAY OF DRAMATIC POESY | 60 |
ON COMEDY FARCE AND TRAGEDY | 77 |
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acknowledge action admiration Æneas Æneid Æneis amongst ancients argument Aristotle audience Augustus beauties Ben Jonson better betwixt blank verse Boccace Cæsar Catiline character Chaucer comedy commend compass confess Crites critics defend Dido discourse Dramatic Poesy Dryden Duke of Lerma endeavoured English epic Essay Eugenius Euripides excellent expression fancy father faults favour Fletcher French genius Georgics give Grecian Greek hero Homer honour Horace humour imagination imitation invention Italian JOHN DRYDEN Jonson judge judgment Julius Cæsar kind language Latin least Lisideius lived Lord Lordship Lucretius manners modern nature never noble numbers observed opinion Ovid passions perfection persons Pindaric pleased plot poem poet preface prose reader reason rhyme Roman satire scene Segrais Sejanus sense serious plays Shakspeare Silent Woman speak stage suppose Theocritus things thought Tis true tragedy translation Turnus Virgil virtue words writ write