 | Richard M. Berrong - 1986 - 194 sivua
...unresolved presence of mutually independent — and sometimes even conflicting — points of view. "A plurality of independent and unmerged voices and...fact the chief characteristic of Dostoevsky's novels" tDos 6). Many authors have produced works in which different characters express different points of... | |
 | Denis Lane - 1990 - 290 sivua
...the terminology. First, his encompassing statement of what he takes "polyphony" to be in Dostoevsky: "A plurality of independent and unmerged voices and...not a multitude of characters and fates in a single authorial consciousness; rather, aa plurality of consciousnesses, with equal rights and each with its... | |
 | Edward Carpenter - 1990 - 216 sivua
...71. Bakhtin sees the work of Dostoevsky as the best example of the polyphonic novel: "A plurality of unmerged voices and consciousnesses, a genuine polyphony...the chief characteristic of Dostoevsky's novels." Problems of Dostoevski's Poetics (Manchester: Manchester U P., 1984), p. 6. 72. George Gissing, Eve's... | |
 | Gary Saul Morson, Caryl Emerson - 1990 - 1108 sivua
...from knowing in advance how they will answer him. The polyphonic novel is therefore characterized by a "plurality of independent and unmerged voices and consciousnesses, a genuine polyphony ofjully valid voices" (PDP, p. 6). Using another favorite analogy, Bakhtin characterizes the monologic... | |
 | Irene Rima Makaryk - 1993 - 676 sivua
...dominates the others. In this study, Bakhtin sees Dostoevsky as 'the creator of the polyphonic novel': 'A plurality of independent and unmerged voices and...fact the chief characteristic of Dostoevsky's novels' (6). Bakhtin contrasts the dialogical discourse of the Dostoevsky novel with the 'monologism of traditional... | |
 | Robert H. Brinkmeyer, Jr. - 1993 - 224 sivua
...reality). The world that Bakhtin finds in Fedor Dostoevski's novels is also the world he finds at large. "A plurality of independent and unmerged voices and...consciousnesses, a genuine polyphony of fully valid voices is the chief characteristic of Dostoevsky's novels," Bakhtin writes. "What unfolds in his works is not... | |
 | Fyodor Dostoyevsky, Charles B. Guignon - 1993 - 132 sivua
...against one another in an open-ended dialogue. In a polyphonic novel, according to Bakhtin, there is a "plurality of independent and unmerged voices and...consciousnesses, a genuine polyphony of fully valid voices."6 In such a novel, any character's point of view is "from the beginning a rejoinder in an unfinished... | |
 | Victorino Tejera - 1995 - 184 sivua
...Dostoyevsky's novels is the constitutive nature of their polyphonic, or multi-voiced, form (p. 6): "A plurality of independent and unmerged voices and...valid voices is in fact the chief characteristic of Dostoyevsky's novels."10 Thtt; uninstructed readers continually argue with Dostoyevsky's characters,... | |
 | David Palumbo-Liu - 1995 - 316 sivua
...of what he sees as the dominant feature of Dostoevsky's oeuvre provides a useful point of departure: A plurality of independent and unmerged voices and...consciousnesses, a genuine polyphony of fully valid voices. . . . What unfolds in his works is not a multitude of characters and fates in a single ubjective world... | |
 | Thomas A. Wilson - 1995 - 404 sivua
...discussion of this, see Chapter 4. 109. According to Bakhtin (6), the polyphonic novel is characterized by a "plurality of independent and unmerged voices and...consciousnesses, a genuine polyphony of fully valid voices. . . . What unfolds in [such] works is not a multitude of characters and fates in a single objective... | |
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A plurality of independent and unmerged voices and consciousnesses, a genuine polyphony of fully valid voices is in fact the chief characteristic of Dostoevsky's novels. 
