Dramatic EssaysJ.M. Dent & Sons, Limited, 1921 - 299 sivua |
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Tulokset 1 - 5 kokonaismäärästä 83
Sivu viii
... language . Master of a marvellously clear and forcible style , and with the power of making every detail tell , Dryden is here shown at his best , though the satires which followed- “ The Medal ” and “ Mac- Flecknoe ' —are scarcely less ...
... language . Master of a marvellously clear and forcible style , and with the power of making every detail tell , Dryden is here shown at his best , though the satires which followed- “ The Medal ” and “ Mac- Flecknoe ' —are scarcely less ...
Sivu xiv
... language which he there used exposed him to severe attack ; he found himself compelled in cold blood to make good assertions which he had flung out in hot blood ; and the " Defence of the Epilogue , or an Essay on the Dramatic Poetry of ...
... language which he there used exposed him to severe attack ; he found himself compelled in cold blood to make good assertions which he had flung out in hot blood ; and the " Defence of the Epilogue , or an Essay on the Dramatic Poetry of ...
Sivu 2
... language , because no other can so well express the nobleness of the thought ; and wish you may be soon called to bear a part in the affairs of the nation , where I know the world expects you , and wonders why you have been so long ...
... language , because no other can so well express the nobleness of the thought ; and wish you may be soon called to bear a part in the affairs of the nation , where I know the world expects you , and wonders why you have been so long ...
Sivu 13
... Discoveries ; but they must be all subservient to the great one , which our language happily expresses in the name of under - plots : such as in Terence's B Eunuch is the difference and reconcilement of Thais and Phædria Dramatic Poesy 13.
... Discoveries ; but they must be all subservient to the great one , which our language happily expresses in the name of under - plots : such as in Terence's B Eunuch is the difference and reconcilement of Thais and Phædria Dramatic Poesy 13.
Sivu 14
... language , which being so long dead , and only remaining in their books , ' tis not possible they should make us understand perfectly . To read Macrobius , explaining the pro- priety and elegancy of many words in Virgil , which I had ...
... language , which being so long dead , and only remaining in their books , ' tis not possible they should make us understand perfectly . To read Macrobius , explaining the pro- priety and elegancy of many words in Virgil , which I had ...
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Yleiset termit ja lausekkeet
acknowledge action admiration Æneas Æneid amongst ancients argument Aristotle audience Augustus beauties Ben Jonson better betwixt blank verse Boccace Cæsar Catiline character Chaucer comedy commend compass confess Crites critics defend Dido discourse drama Dramatic Poesy Dryden Duke of Lerma endeavoured English epic Essay Eugenius Euripides excellent expression fancy father faults favour Fletcher French genius Georgics give Grecian Greek hero Homer honour Horace humour imagination imitation invention Italian JOHN DRYDEN Jonson judge judgment Julius Cæsar kind language Latin least Lisideius lived Lord Lordship Lucretius manners modern nature never noble numbers observed opinion Ovid passions perfection persons Pindaric pleased plot poem poet preface prose reader reason rhyme Roman satire scene Segrais Sejanus sense serious plays Shakspeare Silent Woman speak stage suppose Theocritus things thought Tis true tragedy translation Turnus Virgil virtue words writ write
Suositut otteet
Sivu 40 - He is many times flat and insipid, his comic wit degenerating into clenches, his serious swelling into bombast. But he is always great when some great occasion is presented to him.
Sivu ii - WILL BE PLEASED TO SEND FREELY TO ALL APPLICANTS A LIST OF THE PUBLISHED AND PROJECTED VOLUMES TO BE COMPRISED UNDER THE FOLLOWING TWELVE HEADINGS: TRAVEL ^ SCIENCE ^ FICTION THEOLOGY & PHILOSOPHY HISTORY ? CLASSICAL FOR YOUNG PEOPLE ESSAYS ^ ORATORY POETRY & DRAMA BIOGRAPHY ROMANCE IN TWO STYLES OF BINDING, CLOTH, FLAT BACK, COLOURED TOP, AND LEATHER, ROUND CORNERS, GILT TOP.
Sivu 42 - Shakespeare was the Homer, or father of our dramatic poets ; Jonson was the Virgil, the pattern of elaborate writing ; I admire him, but I love Shakespeare. To conclude of him ; as he has given us the most correct plays, so in the precepts which he has laid down in his Discoveries, we have as many and profitable rules for perfecting the stage, as any wherewith the French can furnish us.
Sivu 41 - As for Jonson, to whose character I am now arrived, if we look upon him while he was himself (for his last plays were but his dotages), I think him the most learned and judicious writer which any theatre ever had. He was a most severe judge of himself, as well as others. One cannot say he wanted wit, but rather that he was frugal of it.
Sivu 32 - Tis true, those beauties of the French poesy are such as will raise perfection higher where it is, but are not sufficient to give it where it is not: they are indeed the beauties of a statue, but not of a man, because not animated with the soul of Poesy, which is imitation of humour and passions...
Sivu 108 - ... one of the greatest, most noble, and most sublime poems, which either this age or nation has produced.
Sivu 274 - ... they who think too well of their own performances, are apt to boast in their prefaces how little time their works have cost them ; and what other business of more importance interfered ; but the reader will be as apt to ask the question, why they allowed not a longer time to make their works more perfect ? and why they had so despicable an opinion of their judges, as to thrust their indigested stuff upon them, as if they deserved no better...
Sivu 38 - English stage. For, if you consider the plots, our own are fuller of variety; if the writing, ours are more quick and fuller of spirit...
Sivu 41 - Wit and language, and humour also in some measure, we had before him ; but something of art was wanting to the drama till he came. He managed his strength to more advantage than any who preceded him. You seldom find him making love in any of his scenes, or endeavouring to move the passions ; his genius was too sullen and saturnine to do it gracefully, especially when he knew he came after those who had performed both to such a height.
Sivu 162 - Latin would not appear so shining in the English: and where I have enlarged them, I desire the false critics would not always think that those thoughts are wholly mine, but that either they are secretly in the poet, or may be fairly deduced from him...