Dramatic EssaysJ.M. Dent & Sons, Limited, 1921 - 299 sivua |
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Sivu vii
... re - opening of the theatres , Dryden returned with great energy to the dramatic field , and for a number of years continued to produce plays of varying merit and of very different styles . But though his dramatic works bulk large vii.
... re - opening of the theatres , Dryden returned with great energy to the dramatic field , and for a number of years continued to produce plays of varying merit and of very different styles . But though his dramatic works bulk large vii.
Sivu xvii
... number of nearly a hundred ) , epistles , elegies , and epigrams , odes , lyrical pieces , and hymns are included in Dryden's verse . Among these are a poem on the Death of Lord Hastings , first printed in Lachrymæ Musarum , 1649 , and ...
... number of nearly a hundred ) , epistles , elegies , and epigrams , odes , lyrical pieces , and hymns are included in Dryden's verse . Among these are a poem on the Death of Lord Hastings , first printed in Lachrymæ Musarum , 1649 , and ...
Sivu 7
... numbers with For to , and Unto , and all the pretty expletives he can find , till he drags them to the end of another line ; while the sense is left tired half way behind it : he doubly starves all his verses , first for want of thought ...
... numbers with For to , and Unto , and all the pretty expletives he can find , till he drags them to the end of another line ; while the sense is left tired half way behind it : he doubly starves all his verses , first for want of thought ...
Sivu 16
... number of the acts , I know not ; only we see it so firmly established in the time of Horace , that he gives it for a rule in comedy , -Neu brevior quinto , neu sit productior actu . So that you see the Grecians cannot 16 Dryden's Essays.
... number of the acts , I know not ; only we see it so firmly established in the time of Horace , that he gives it for a rule in comedy , -Neu brevior quinto , neu sit productior actu . So that you see the Grecians cannot 16 Dryden's Essays.
Sivu 17
... number : it is building an house without a model ; and when they succeeded in such undertakings , they ought to have sacrificed to Fortune , not to the Muses . " Next , for the plot , which Aristotle called тó μvos , and often τῶν ...
... number : it is building an house without a model ; and when they succeeded in such undertakings , they ought to have sacrificed to Fortune , not to the Muses . " Next , for the plot , which Aristotle called тó μvos , and often τῶν ...
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
acknowledge action admiration advantage Æneas allowed already ancients answer appear argument audience beauties beginning better betwixt Book cause character comedy common concernment conclude confess critics defend difference drama effect English Essay example excellent expression fancy faults follow forced French give given greater hero heroic Homer honour humour imagination imitation invention Italy Jonson judge judgment kind language Latin learned least leave less lived Lord manners master mean nature never observed opinion Ovid passions perfection performed perhaps persons play pleased plot poem poesy poet poetry present proper prove raised reader reason received represented rest rhyme Roman rules scene seems sense Shakspeare sometimes sound speak stage suppose taken tell things thought tragedy translation true turn verse Virgil virtue whole write written
Suositut otteet
Sivu 40 - He is many times flat and insipid, his comic wit degenerating into clenches, his serious swelling into bombast. But he is always great when some great occasion is presented to him.
Sivu ii - WILL BE PLEASED TO SEND FREELY TO ALL APPLICANTS A LIST OF THE PUBLISHED AND PROJECTED VOLUMES TO BE COMPRISED UNDER THE FOLLOWING TWELVE HEADINGS: TRAVEL ^ SCIENCE ^ FICTION THEOLOGY & PHILOSOPHY HISTORY ? CLASSICAL FOR YOUNG PEOPLE ESSAYS ^ ORATORY POETRY & DRAMA BIOGRAPHY ROMANCE IN TWO STYLES OF BINDING, CLOTH, FLAT BACK, COLOURED TOP, AND LEATHER, ROUND CORNERS, GILT TOP.
Sivu 42 - Shakespeare was the Homer, or father of our dramatic poets ; Jonson was the Virgil, the pattern of elaborate writing ; I admire him, but I love Shakespeare. To conclude of him ; as he has given us the most correct plays, so in the precepts which he has laid down in his Discoveries, we have as many and profitable rules for perfecting the stage, as any wherewith the French can furnish us.
Sivu 41 - As for Jonson, to whose character I am now arrived, if we look upon him while he was himself (for his last plays were but his dotages), I think him the most learned and judicious writer which any theatre ever had. He was a most severe judge of himself, as well as others. One cannot say he wanted wit, but rather that he was frugal of it.
Sivu 32 - Tis true, those beauties of the French poesy are such as will raise perfection higher where it is, but are not sufficient to give it where it is not: they are indeed the beauties of a statue, but not of a man, because not animated with the soul of Poesy, which is imitation of humour and passions...
Sivu 108 - ... one of the greatest, most noble, and most sublime poems, which either this age or nation has produced.
Sivu 274 - ... they who think too well of their own performances, are apt to boast in their prefaces how little time their works have cost them ; and what other business of more importance interfered ; but the reader will be as apt to ask the question, why they allowed not a longer time to make their works more perfect ? and why they had so despicable an opinion of their judges, as to thrust their indigested stuff upon them, as if they deserved no better...
Sivu 38 - English stage. For, if you consider the plots, our own are fuller of variety; if the writing, ours are more quick and fuller of spirit...
Sivu 41 - Wit and language, and humour also in some measure, we had before him ; but something of art was wanting to the drama till he came. He managed his strength to more advantage than any who preceded him. You seldom find him making love in any of his scenes, or endeavouring to move the passions ; his genius was too sullen and saturnine to do it gracefully, especially when he knew he came after those who had performed both to such a height.
Sivu 162 - Latin would not appear so shining in the English: and where I have enlarged them, I desire the false critics would not always think that those thoughts are wholly mine, but that either they are secretly in the poet, or may be fairly deduced from him...