 | 1820 - 416 sivua
...seu de claris Oratoribus, c. 18. PLINY himself describes with enthusiasm, the Venus »vu,$\iop'uin of Apelles : and in this picture the sea was represented,...immortality which they deserve ; but unfortunately the oil and the canvas are vegetable materials, and liable to decomposition, and the last is less durable... | |
 | John Ayrton Paris - 1831 - 598 sivua
...be used, than by brilliant drapery. " If red and yellow ochres, blacks and whites, were the pigments most employed by Protogenes and Apelles, so they are...immortality which they deserve ; but unfortunately, the oil and the canvass are vegetable materials, and liable to decomposition, and the last is even... | |
 | John Ayrton Paris - 1831 - 582 sivua
...be used, than by brilliant drapery. " If red and yellow ochres, blacks and whites, were the pigments most employed by Protogenes and Apelles, so they are...red and yellow ochres, and carbonaceous substances. durable than the wood on which the Greek artists painted their celebrated pictures. " It is unfortunate... | |
 | George Clarke (F.S.A.) - 1832 - 390 sivua
...they likewise the colours most employed by : Raphael and Titian in their best style. The St. John and Venus, in the tribune of the gallery at Florence,...red and yellow ochres, and carbonaceous substances.* " We cannot close this chapter better than with two pictures of rather different character, both representing... | |
 | William Clarke (architect.) - 1836 - 388 sivua
...they likewise the colours most employed by Raphael and Titian in their best style. The St. John and Venus, in the tribune of the gallery at Florence,...red and yellow ochres, and carbonaceous substances.* " We cannot dose this chapter better than with two pictures of rather different character, both representing... | |
 | G. Clarke - 1836 - 394 sivua
...they likewise the colours most employed by Raphael and Titian in their best style. The St. John and Venus, in the tribune of the gallery at Florence,...red and yellow ochres, and carbonaceous substances.* " We cannot close this chapter better than with two pictures of rather different character, both representing... | |
 | 1841 - 276 sivua
...likewise the colours most employed by Raphael and Titian in their best style. The St. John and Venus in the gallery at Florence, offer striking examples of...red and yellow ochres, and carbonaceous substances." LONDON: JOHN WILLIAM PARKER, WEST STRAND. PUBLISHED IN WKKKLV NUMRKHS, PRICB OMB rr. •.-;•>-, AND... | |
 | 1841 - 274 sivua
...likewise the colours most employed by Raphael and Titian in their best style. The St. John and Venus in the gallery at Florence, offer striking examples of pictures in which all the deeper tints are evidenlly produced by red and yellow ochres, and carbonaceous substances." LONDON : JOHN WILLIAM PARKER,... | |
 | Jeremiah Donovan - 1844 - 1002 sivua
...they likewise the colours most employed by Baphael and Titian in their best style. The S. John and Venus , in the tribune of the gallery at Florence,...red and yellow ochres and carbonaceous substances." M«tals. fhe metals used by the ancients in the decoration of edi6ces, were gold, silver and bronze.... | |
 | Cennino Cennini - 1844 - 308 sivua
...they likewise the colours most employed by Raffaello and Titian in their best style. The St. John and Venus in the tribune of the gallery at Florence offer...red and yellow ochres and carbonaceous substances." — Davy on the Colours used in Painting by the Ancients, — Phil. Trans. 1815. Of this description... | |
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John and the Venus, in the tribune of the gallery at Florence, offer striking examples of pictures, in which all the deeper tints are evidently produced by red and yellow ochres, and carbonaceous substances. 
