The Works of Beaumont and Fletcher: In Fourteen Volumes: with an Introduction and Explanatory Notes, Nide 1J. Ballantyne, 1812 - 14 sivua |
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Sivu xi
... prologue , written for a revival of the Woman- Hater , it may be inferred , with a considerable degree of probability , that Fletcher began to be actively employed in writing for the stage about the year 1605. If he actually wrote as ...
... prologue , written for a revival of the Woman- Hater , it may be inferred , with a considerable degree of probability , that Fletcher began to be actively employed in writing for the stage about the year 1605. If he actually wrote as ...
Sivu xxii
... prologue , written for a revival at a subsequent period , we learn , that , though it " was well received and favour- ed " by " men of worth , " it was condemned by the multitude for its length . The expeditious manner of cutting down a ...
... prologue , written for a revival at a subsequent period , we learn , that , though it " was well received and favour- ed " by " men of worth , " it was condemned by the multitude for its length . The expeditious manner of cutting down a ...
Sivu xxiii
... prologue , he appears not to have had recourse to the assistance of Beaumont . Indeed the irregu- larities of the plot are such , that his not recur- ring to his judicious associate for aid was very unfortunate . The comedy , which was ...
... prologue , he appears not to have had recourse to the assistance of Beaumont . Indeed the irregu- larities of the plot are such , that his not recur- ring to his judicious associate for aid was very unfortunate . The comedy , which was ...
Sivu xl
... by Sir Aston Cockayne . The tragedy of The False One is ascribed in the prologue and epilogue to more than one author , and , from the absence of the great tragedian Burbadge's name in the list of the principal xľ INTRODUCTION .
... by Sir Aston Cockayne . The tragedy of The False One is ascribed in the prologue and epilogue to more than one author , and , from the absence of the great tragedian Burbadge's name in the list of the principal xľ INTRODUCTION .
Sivu xli
... prologue , is directly attributed to more than one author , and there is no circumstance from which we might infer that the assistant of Fletcher was Beau- mont , whose style of versification is not to be traced in this drama ; and the ...
... prologue , is directly attributed to more than one author , and there is no circumstance from which we might infer that the assistant of Fletcher was Beau- mont , whose style of versification is not to be traced in this drama ; and the ...
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acted appears Armanus authors Beaumont and Fletcher BELLARIO Ben Jonson Burning Pestle character comedy dare death dramatic edition editor Enter excellent Exeunt Exit fair Faithful Faithful Shepherdess fame fear Flavia folio Francis Beaumont gentlemen George give hand hast hath heart honour humour Jasp Jasper John JOHN FLETCHER Jonson king Knight lady Learch Lelia Little French Lawyer live lord Luce Maid's Tragedy Marius Massinger master master Humphrey merry Merrythought Monsieur Thomas muse ne'er never Nice Valour noble passions Philadelpha Philaster plays plot poems poets pray printed prologue quarto Ralph reader Rufinus scene Scornful Lady Seward Shakspeare Shakspeare's shalt shew sing Snip soul Spanish Curate speak squire stage tell thee there's thine thou art thought tion Titus Tull Tullius twas unto Vent verses Wife Woman-Hater word
Suositut otteet
Sivu clxv - Do my face (If thou had'st ever feeling of a sorrow) Thus, thus, Antiphila : strive to make me look Like Sorrow's monument ; and the trees about me, Let them be dry and leafless ; let the rocks Groan with continual surges ; and behind me, Make all a desolation.
Sivu cxcvi - Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become A kneaded clod...
Sivu clix - To-day, my lord of Amiens and myself Did steal behind him, as he lay along Under an oak, whose antique root peeps out Upon the brook that brawls along this wood...
Sivu xxxv - What things have we seen Done at the ' Mermaid ? ' Heard words that have been So nimble, and so full of subtle flame, As if that every one from whence they came Had meant to put his whole wit in a jest, And had resolved to live a fool the rest Of his dull life.
Sivu lxx - Beaumont and Fletcher, of whom I am next to speak, had, with the advantage of Shakespeare's wit, which was their precedent, great natural gifts improved by study; Beaumont especially being so accurate a judge of plays that Ben Jonson, while he lived, submitted all his writings to his censure, and, 'tis thought, used his judgment in correcting, if not contriving all his plots.
Sivu cl - Every Man out of his Humour," usurped that dictatorship, in the Literary Republic, which he so sturdily and invariably maintained, though long and hardily disputed.
Sivu 190 - Troul the black bowl to me ;" and a woman that will sing a catch in her travail. I have seen a man come by my door with a serious face, in a black cloak, without a hatband, carrying his head as if he look'd for pins in the street.
Sivu cxxxix - ... off, before he committed one word to writing, and never touched pen till all was to stand as firm and immutable as if engraven in brass or marble.
Sivu clix - em. he would weep, As if he meant to make 'em grow again. Seeing such pretty helpless innocence Dwell in his face, I ask'd him all his story. He told me, that his parents gentle died, Leaving him to the mercy of the fields, Which gave him roots ; and of the crystal springs, Which did not stop their courses ; and the sun, Which still, he thank'd him, yielded him his light.
Sivu 143 - By heaven, methinks it were an easy leap To pluck bright Honour from the pale-faced moon, Or dive into the bottom of the deep, Where fathom-line could never touch the ground, And pluck up drowned Honour by the locks; So he that doth redeem her thence might wear Without corrival all her dignities.