English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 70
Sivu 153
... character nor dialogue were yet understood . Shakespeare may be truly said to have introduced them both amongst us ... characters from preceding writers , and diversify them only by the accidental appendages of present manners ; the ...
... character nor dialogue were yet understood . Shakespeare may be truly said to have introduced them both amongst us ... characters from preceding writers , and diversify them only by the accidental appendages of present manners ; the ...
Sivu 201
... character , are so modified and particularized in each person of the Shakespearean Drama , that life itself does not excite more distinctly that sense of individuality which belongs to real existence . Paradoxical as it may sound , one ...
... character , are so modified and particularized in each person of the Shakespearean Drama , that life itself does not excite more distinctly that sense of individuality which belongs to real existence . Paradoxical as it may sound , one ...
Sivu 258
... Character itself ( I mean that sort of which , if I am anything , I am a member ; that sort distinguished from the Wordsworthian or egotistical sublime , which is a thing per se and stands alone ) , it is not itself - it has no self ...
... Character itself ( I mean that sort of which , if I am anything , I am a member ; that sort distinguished from the Wordsworthian or egotistical sublime , which is a thing per se and stands alone ) , it is not itself - it has no self ...
Sisältö
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
Tekijänoikeudet | |
8 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write