English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 61
Sivu 10
... delight ; and to imitate borrow nothing of what is , hath been , or shall be ; but range , only reined with learned ... delight and teach , and delight to move men to take that goodness in hand , which without 300 delight they would fly ...
... delight ; and to imitate borrow nothing of what is , hath been , or shall be ; but range , only reined with learned ... delight and teach , and delight to move men to take that goodness in hand , which without 300 delight they would fly ...
Sivu 42
... delight , as the tragedy should be still maintained in a well - raised admiration . But our comedians think there is no delight without laughter , which is very wrong ; for though laughter may come with 1535 delight , yet cometh it not of ...
... delight , as the tragedy should be still maintained in a well - raised admiration . But our comedians think there is no delight without laughter , which is very wrong ; for though laughter may come with 1535 delight , yet cometh it not of ...
Sivu 43
... Delight hath a joy in it either permanent or present ; laughter hath only a scornful tickling . For example , we are ravished with delight to see a fair woman , and yet are far from being moved to laughter . We laugh at deformed ...
... Delight hath a joy in it either permanent or present ; laughter hath only a scornful tickling . For example , we are ravished with delight to see a fair woman , and yet are far from being moved to laughter . We laugh at deformed ...
Sisältö
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
Tekijänoikeudet | |
8 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write