English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 sivua |
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Tulokset 1 - 3 kokonaismäärästä 58
Sivu 217
... EFFECTS of metre . As far as metre 940 acts in and for itself , it tends to increase the vivacity and sus- ceptibility both of the general feelings and of the attention . This effect it produces by the continued excitement of surprise ...
... EFFECTS of metre . As far as metre 940 acts in and for itself , it tends to increase the vivacity and sus- ceptibility both of the general feelings and of the attention . This effect it produces by the continued excitement of surprise ...
Sivu 234
... effect by acting upon the cause . Poetry enlarges the circumference of the imagination by replenishing it with thoughts of ever new delight , which have the power of attracting and assimilating to their own nature all other thoughts ...
... effect by acting upon the cause . Poetry enlarges the circumference of the imagination by replenishing it with thoughts of ever new delight , which have the power of attracting and assimilating to their own nature all other thoughts ...
Sivu 394
... effects come of natural genius alone can only be learnt from art . sense , For the true sublime , by some virtue of its ... effect : the memory of it is stubborn and indelible . To speak generally , you should consider that to be truly ...
... effects come of natural genius alone can only be learnt from art . sense , For the true sublime , by some virtue of its ... effect : the memory of it is stubborn and indelible . To speak generally , you should consider that to be truly ...
Sisältö
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
Tekijänoikeudet | |
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action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write