English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 42
Sivu 23
... excellent resting - place for all worldly learning to make his end of , so poetry , being the most familiar to teach it , and most princely to move towards it , in the most excellent work is the most excellent workman . 780 But I am ...
... excellent resting - place for all worldly learning to make his end of , so poetry , being the most familiar to teach it , and most princely to move towards it , in the most excellent work is the most excellent workman . 780 But I am ...
Sivu 261
... excellent and inferior , sound and unsound or only half - sound , true and 60 untrue or only half - true . It is charlatanism , conscious or un- conscious , whenever we confuse or obliterate these . And in poetry , more than anywhere ...
... excellent and inferior , sound and unsound or only half - sound , true and 60 untrue or only half - true . It is charlatanism , conscious or un- conscious , whenever we confuse or obliterate these . And in poetry , more than anywhere ...
Sivu 262
... excellent rather than 75 inferior , sound rather than unsound or half - sound , true rather than untrue or half - true . The best poetry is what we want ; the best poetry will be found to have a power of forming , sustaining , and ...
... excellent rather than 75 inferior , sound rather than unsound or half - sound , true rather than untrue or half - true . The best poetry is what we want ; the best poetry will be found to have a power of forming , sustaining , and ...
Sisältö
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
Tekijänoikeudet | |
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action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write