English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 48
Sivu 25
... eyes than to find his own actions contemptibly set forth . So that the right use of comedy will , I think , by nobody be blamed , and much less of the high and excellent tragedy , that 855 openeth the greatest wounds , and showeth forth ...
... eyes than to find his own actions contemptibly set forth . So that the right use of comedy will , I think , by nobody be blamed , and much less of the high and excellent tragedy , that 855 openeth the greatest wounds , and showeth forth ...
Sivu 117
... eyes , Hills peep o'er hills , and Alps on Alps arise ! A perfect Judge will read each work of Wit With the same spirit that its author writ : Survey the WHOLE , nor seek slight faults to find Where nature moves , and rapture warms the ...
... eyes , Hills peep o'er hills , and Alps on Alps arise ! A perfect Judge will read each work of Wit With the same spirit that its author writ : Survey the WHOLE , nor seek slight faults to find Where nature moves , and rapture warms the ...
Sivu 391
... eyes , and what the spectator can see for him- self . Yet you will not bring upon the stage what should be performed behind the scenes , and you will keep much from our eyes , which an actor's ready tongue will narrate anon in our ...
... eyes , and what the spectator can see for him- self . Yet you will not bring upon the stage what should be performed behind the scenes , and you will keep much from our eyes , which an actor's ready tongue will narrate anon in our ...
Sisältö
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
Tekijänoikeudet | |
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action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write