English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 23
Sivu 106
... leaf in Jonson's plays will 2175 sufficiently clear to you . You will often find in the Greek tragedians , and in Seneca ... leaves nothing in the soul of the hearer to desire . ' Tis an art which appears ; but it appears only like the ...
... leaf in Jonson's plays will 2175 sufficiently clear to you . You will often find in the Greek tragedians , and in Seneca ... leaves nothing in the soul of the hearer to desire . ' Tis an art which appears ; but it appears only like the ...
Sivu 287
... leaves Nirvana merely a conjecture . Oh , yes , my body , me alive , knows , and knows intensely . And as for the ... leaf . All very well and good . It still doesn't alter the fact that the so - called spirit , the message or teaching ...
... leaves Nirvana merely a conjecture . Oh , yes , my body , me alive , knows , and knows intensely . And as for the ... leaf . All very well and good . It still doesn't alter the fact that the so - called spirit , the message or teaching ...
Sivu 321
... leaves a heart high - sorrowful and cloy'd , A burning forehead and a parching tongue . 350 -In what way ' All breathing human passion far above ' ? ' Warm ' and ' panting ' - the accordant ditty would be very decidedly to the ' sensual ...
... leaves a heart high - sorrowful and cloy'd , A burning forehead and a parching tongue . 350 -In what way ' All breathing human passion far above ' ? ' Warm ' and ' panting ' - the accordant ditty would be very decidedly to the ' sensual ...
Sisältö
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
Tekijänoikeudet | |
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Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write