English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 sivua |
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Tulokset 1 - 3 kokonaismäärästä 77
Sivu 291
... mean by living is , of course , just as indescribable as what we mean by being . Men get ideas into their heads , of what they mean by Life , and they proceed to cut life out to pattern . 195 Sometimes they go into the desert to seek ...
... mean by living is , of course , just as indescribable as what we mean by being . Men get ideas into their heads , of what they mean by Life , and they proceed to cut life out to pattern . 195 Sometimes they go into the desert to seek ...
Sivu 294
... meaning alone . His significance , his appreciation is the appreciation of his relation to the dead poets and artists . You cannot value him alone ; you must set him , for contrast and comparison , among 65 the dead . I mean this as a ...
... meaning alone . His significance , his appreciation is the appreciation of his relation to the dead poets and artists . You cannot value him alone ; you must set him , for contrast and comparison , among 65 the dead . I mean this as a ...
Sivu 389
... means by which the object of tragedy may be achieved . Since then the struc- ture of the best tragedy should be not ... mean between these . This is the sort of man who is not pre - eminently virtuous and just , and yet it is through no ...
... means by which the object of tragedy may be achieved . Since then the struc- ture of the best tragedy should be not ... mean between these . This is the sort of man who is not pre - eminently virtuous and just , and yet it is through no ...
Sisältö
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
Tekijänoikeudet | |
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action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write