English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 95
Sivu 58
... play , should be proportioned 310 as near as can be to the duration of that time in which it is represented : since therefore , all plays are acted on the theatre in the space of time much within the compass of twenty - four hours , that ...
... play , should be proportioned 310 as near as can be to the duration of that time in which it is represented : since therefore , all plays are acted on the theatre in the space of time much within the compass of twenty - four hours , that ...
Sivu 59
... play , when all the persons are known to each other , and every one of them has some affairs with all the rest . ' As for the third unity , which is that of Action , the ancients 365 meant no other by it than what the logicians do by ...
... play , when all the persons are known to each other , and every one of them has some affairs with all the rest . ' As for the third unity , which is that of Action , the ancients 365 meant no other by it than what the logicians do by ...
Sivu 80
... play , those which best fulfil that law ought to be esteemed superior to the others . ' Tis true , those beauties of the French 1160 poesy are such as will raise perfection higher where it is , but are not sufficient to give it where it ...
... play , those which best fulfil that law ought to be esteemed superior to the others . ' Tis true , those beauties of the French 1160 poesy are such as will raise perfection higher where it is , but are not sufficient to give it where it ...
Sisältö
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
Tekijänoikeudet | |
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action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write